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Fifty years after the beginning of the debate about the "general crisis of the seventeenth century," and thirty years after theodore K. Rabb's reformulation of it as the "European struggle for stability." this volume returns to the fundamental questions raised by the long-running discussion: What continent-wide patterns of change can be discerned in European history across the centuries from the Renaissance to the French Revolution? What were the causes of the revolts that rocked so many countries between 1640 and 1660? Did fundamental changes occur in the relationship between politics and religion? Politics and military technology? Politics and the structures of intellectual authority?
Designed for students, academics and the general reader alike, Sexual Politics of Desire and Belonging provides theoretical and empirical insights into the linkages between sexualities and forms of desire, and ways of belonging and relating to others in specific contexts and moments in time. Opening with a substantial introduction by one of the editors, this collection of thirteen essays is organised into three parts, each section making important contributions to contemporary debates regarding the sexual politics of citizenship, marriage, friendship, pornography, intimacies, eroticism and desire. As such, the essays introduce fresh perspectives for thinking about how individuals construct s...
In her compelling reexamination of Djuna Barnes's work, Daniela Caselli raises timely questions about Barnes, biography and feminist criticism, identity and authority, and modernist canon formation. Through close readings of Barnes's manuscripts, correspondence, critically acclaimed and little-known texts, Caselli tackles one of the central unacknowledged issues in Barnes: intertextuality. She shows how throughout Barnes's corpus the repetition of texts, by other authors (from Blake to Middleton) and by Barnes herself, forces us to rethink the relationship between authority and gender and the reasons for her marginal place within modernism. All her texts, linked as they are by correspondence...
Clare L. Taylor investigates the problematic question of female fetishism within modernist women's writing, 1890-1950. Drawing on gender and psychoanalytic theory, she re-examines the works of Sarah Grand, Radclyffe Hall, H.D., Djuna Barnes, and Anaïs Nin in the context of clinical discourses of sexology and psychoanalysis to present an alternative theory of female fetishism, challenging the perspective that denies the existence of the perversion in women.
The book explores the preoccupation of key twentieth-century English writers with theology and sexuality and how the Anglican Church has responded and continues to respond to the issue of homosexuality. Analysing the work of Oscar Wilde, E. F. Benson, Edward Carpenter, Jeanette Winterson, and Alan Hollingshurst, the book explores the literary tradition of exasperation at the church's obduracy against homosexuality.
Covers receipts and expenditures of appropriations and other funds.
This Companion offers a compelling engagement with British fiction from the end of the Second World War to the present day. Since 1945, British literature has served to mirror profound social, geopolitical and environmental change. Written by a host of leading scholars, this volume explores the myriad cultural movements and literary genres that have affected the development of postwar British fiction, showing how writers have given voice to matters of racial, regional and sexual identity. Covering subjects from immigration and ecology to science and globalism, this Companion draws on the latest critical innovations to provide insights into the traditions shaping the literary landscape of modern Britain, thus making it an essential resource for students and specialists alike.
This study looks at the origins of the modernist movement, linking gender, modernism and the literary, before considering the bearing these discourses had on Djuna Barnes's writing. The main contribution of this innovative and scholarly work is the exploration of the editorial changes that T. S. Eliot made to the manuscript of Nightwood, as well as the revisions of the early drafts initiated by Emily Holmes Coleman. The archival research presented here is a significant advance in the scholarship, making this volume invaluable to both teachers and students of modern literature and Barnesian scholars.
This is a study of Jeanette Winterson's work, containing analyses of her nine novels and cross-references to her minor fictional and non-fictional works. It establishes the formal, thematic, and ideological characteristics of the novels, and situates the writer within the panorama of contemporary British fiction.