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The Debt
In the tradition of Williams' Paterson, The Debt explores tensions between tradition and innovation, present and past, in St. John's, Newfoundland. An argument for community in an increasingly isolated age, The Debt takes stock of all the dues we owe: to nature, to our ancestors, to one another and ourselves.
The Debt
Finalist for the 2022 Fred Cogswell Award for Excellence in Poetry • Shortlisted for the 2023 E.J. Pratt Family Poetry Award Set against the backdrop of a post-moratorium St. John’s, Newfoundland, The Debt explores tensions between tradition and innovation, and between past and present in a province unmoored by loss and grief. The Debt is about development and change, idleness and activism, ecological stewardship, feminism, motherhood, the personal and the political. It is also about resistance—against the encroaching forces of greed and capitalism, even against the accumulated notions of the self. The poems are an argument for community and connection in an age increasingly associated with isolation of the individual. The Debt explores the dues we all owe: to nature, to those who came before us, and to one another.
No Place to Go
Gender inequality. Ableism. Transphobia. One aspect of our daily lives highlights discrimination and inequality with shocking clarity: toilet access. In No Place to Go, Lezlie Lowe explores the political and exclusionary issues which are ignored by our politicians and city planners and tolerated by a suffering public. Endless queues for the women's toilet are more serious than a long-running joke; it means the built environment is designed with men in mind. We don't embrace widespread gender neutrality in public toilets; to do so would entail bigger discussions about gender.We don't want to consider the consequences of being caught short if you are homeless or have a disability; that would involve engaging in political and social conversations, with potential economic ramifications. Lowe tells us it is time we start having these discussions and recognize these problems because when the needs of women and children, the homeless, the disabled and the ill are not met, society suffers.
Exhibitionist
Shortlisted for the ReLit 2022 Poetry Award Smart, raunchy poems that are sorry-not-sorry. One minute she’s drying her underwear on the corner of your mirror, the next she’s asking the sky to swallow her up: the narrator of Exhibitionist oscillates between a complete rejection of shame and the consuming heaviness of it. Painfully funny, brutally honest, and alarmingly perceptive, Molly Cross-Blanchard’s poems use humour and pop culture as vehicles for empathy and sorry-not-sorry confessionalism. What this speaker wants more than anything is to be seen, to tell you the worst things about herself in hopes that you’ll still like her by the end. “Sticky, sad, and sultry, Exhibitionist ...
A Serious Call
In A Serious Call, Governor General’s Award-winner Don Coles presents a collection of moments suspended in time: a line of poetry, forgotten for years and remembered as often; a photograph cut out of a 1942 newspaper that saves its subjects not from death but from oblivion; a fond memory of a bookshop in Southwark, where books feed a love of literature and a life-long friendship. In a deceptively plainspoken style enhanced by his signature precision, Coles’s contemplation of everyday moments and objects reveals not only the power of memory, but also the innermost fears and longings of the human spirit.
This Red Line Goes Straight to Your Heart
WINNER OF THE 2020 GOVERNOR GENERAL'S LITERARY AWARD FOR NONFICTION “Wondrously and elegantly written in language that astonishes and moves the reader…This is an important book: an emotional and intellectual tour de force.” —Jane Urquhart An experimental memoir about Partition, immigration, and generational storytelling, This Red Line Goes Straight to Your Heart weaves together the poetry of memory with the science of embodied trauma, using the imagined voices of the past and the vital authority of the present. We begin with a man off balance: one in one thousand, the only child in town whose polio leads to partial paralysis. We meet his future wife, chanting Hai Rams for Gandhiji an...
The Routledge Introduction to Auto/biography in Canada
The Routledge Introduction to Auto/biography in Canada explores the exciting world of nonfiction writing about the self, designed to give teachers and students the tools they need to study both canonical and lesser-known works. The volume introduces important texts and contexts for interpreting life narratives, demonstrates the conceptual tools necessary to understand what life narratives are and how they work, and offers an historical overview of key moments in Canadian auto/biography. Not sure what life writing in Canada is, or how to study it? This critical introduction covers the tools and approaches you require in order to undertake your own interpretation of life writing texts. You wil...
STEP ASIDE & RISE
Read 21 extraordinary stories of everyday women who found themselves lost in their lives and stuck in their businesses. By allowing themselves to Step Aside & Rise, these women have created a new emotional and financial legacy for themselves, their families, and those who came before and after them. These women each worked through their limiting beliefs, reclaimed their identity, and broke the patterns of behavior that were holding them back from aligned success in their lives and business. They now courageously share their stories with you. Be inspired as you read how these women got out of their own way, and know that if they can do it, you can too. It's time to rise!
Working the Rock
Between 1892 and 1930, American photographer Edith S. Watson made repeated trips to outport Newfoundland and coastal Labrador,getting to know the rugged land and its extraordinary people. Along the way, she explored, recorded, and compiled a treasury of captivating, dignified images of life at the turn of the century. In doing so, she has left a rich collection of images seen nowhere else.
