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Great Immortality
Winner of the Excellence Award for Collaborative Research granted by the European Society of Comparative Literature (ESCL) In Great Immortality, twenty scholars from considerably different cultural backgrounds explore the ways in which certain poets, writers, and artists in Europe have become major figures of cultural memory. Through individual case studies, many of the contributors expand and challenge the concepts of cultural sainthood and canonization as developed by Marijan Dović and Jón Karl Helgason in National Poets, Cultural Saints: Canonization and Commemorative Cults of Writers in Europe (Brill, 2017). Even though the major focus of the book is the nineteenth-century cults of nat...
Witchcraft in Romania
This book provides a history of witchcraft in the territories that compose contemporary Romania, with a focus on the sixteenth to nineteenth centuries. The first part presents aspects of earthly justice, religious and secular, analysing the codes of law, trials and verdicts, and underlining the differences between Transylvania on one hand, and Moldavia and Wallachia on the other. The second part is concerned with divine justice, describing apocalyptic texts that talk about the pains of witches in hell, but also the ensembles of religious painting where, in vast compositions of the Last Judgment, various punishments for the sin of witchcraft are imagined.
Nordic Speculative Fiction
This volume brings together scholarly theories and practices on speculative fiction from the Nordic countries, including Denmark, Finland, Iceland, Norway, and Sweden, that are all rooted in similar values, culture, and history yet are independent and unique societies. The book exhibits both the convergences and the diversity of the Nordics in fiction and fandom as well as in research. It traces the roots of Nordic speculative fiction, how it has developed over time, and how the changes in Nordic environments and societies caused by overhanging shared global issues – such as climate change, mass migration, and technological acceleration – find space in speculative practices. The first of...
Cannibalizing the Canon
This rich, in-depth exploration of Dada’s roots in East-Central Europe is a vital addition to existing research on Dada and the avant-garde. Through deeply researched case studies and employing novel theoretical approaches, the volume rewrites the history of Dada as a story of cultural and political hybridity, border-crossings, transitions, and transgressions, across political, class and gender lines. Dismantling prevailing notions of Dada as a “Western” movement, the contributors to this volume present East-Central Europe as the locus of Dada activity and techniques. The articles explore how artists from the region pre-figured Dada as well as actively “cannibalized”, that is, reabsorbed and further hybridized, a range of avant-garde techniques, thus challenging “Western” cultural hegemony.
Worlding a Peripheral Literature
Bringing together the analyses of the literary world-system, translation studies, and the research of European cultural nationalism, this book contests the view that texts can be attributed global importance irrespective of their origin, language, and position in the international book market. Focusing on Slovenian literature, almost unknown to world literature studies, this book addresses world literature’s canonical function in the nineteenth-century process of establishing European letters as national literatures. Aware of their dependence on imperial powers, (semi)peripheral national movements sought international recognition through, among other things, the newly invented figure of the national poet. Writers central to dependent national communities were canonized to represent their respective cultures to the norm-giving Other – the emerging world literary canon and its aesthetic ideology. Hence, national literatures asserted their linguo-cultural individuality through the process of worlding; that is, by their positioning in the international literary world informed by the supposed universality of the aesthetic.
Power and Literature
At the core of this book lies the relation between Power (as socio-political phenomenon) and the novel (as literary discourse). It shows that, in a society facing the excess of power in its various forms, novelistic fiction mediates knowledge about societal Power structures and uses specific strategies to subvert and denounce them. The first part of the study is theoretical: it presents some of the most prominent theories of Power, from Plato, Machiavelli, Nietzsche to Weber, Dahl, Lukes, Parsons, Bourdieu or Foucault. After offering a critical approach to the concepts of Power defined in the social, political and philosophical fields, it articulates the relations of Power imprinted in literary discourse within a typology of four categories. In the second part of the book, this taxonomy of Power is applied to four key novels in the context of Romanian "literary crossroads", showing how novelistic fiction not only assume a critical and subversive position against the excess of Power, but also unveils our fragility when experiencing History.
Between Point Zero and the Iron Curtain
This volume, edited by Éva Forgács, with contributions from art historians from across Europe and the Americas, analyzes the artistic initiatives of the short time span between the end of World War II and the onset of the Cold War. In this moment, a new internationalism was anticipated by retrieving pre-war modernism, as well as creating the new era's new artistic lingua franca. The chapters include in-depth case studies that analyze the complex, often interconnected, projects throughout the world—South America and Eastern and Western Europe—that were soon ended by the Cold War.
Elective Affinities
From the nineteenth century to the present, literary entanglements between Latin America and East Central Europe have been socio-politically and culturally diverse, but never random. The Iron Curtain, in particular, forced both regions to negotiate transatlantic «elective affinities», to take a stance in relation to the West, and to position themselves within world literature. As a result, the intellectual fields and creative productions of these regions have critically engaged with notions such as «post-imperial», «marginal», or «peripheral». In this edited volume, scholars from Germany, Brazil, Czech Republic, Hungary, Mexico, Poland, Slovenia, and Spain cross the globe from South to East and back to uncover transcultural and transareal convivialities. Their papers explore literary history, poetics, intellectual networks, and aesthetic theory, while discussing new key concepts in global literary history.
Comparative Literature in Europe
Thanks to its historical, theoretical, and methodological dimensions, this book is unique, both in Europe and in the USA. It brings together researchers from across Europe to explain how comparative literature works, both on an institutional and a technical level, in the country in which they teach. The contributions also define the characteristics of European comparative literature on a continental level. From Austria to Ukraine, by way of Belgium, Estonia, Finland, France, Ireland, Lithuania, Luxembourg, Macedonia, Poland, Portugal, Romania, Slovakia, Spain, and Switzerland, this book offers an expansive panorama, placing great emphasis on usually “invisible” countries. Moreover, it relates both to the postcolonial and post-Soviet present and to the future of comparative literature: it is a handbook, but also a laboratory.
