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The Four Masterworks of the Ming Novel
Andrew Plaks reinterprets the great texts of Chinese fiction known as the "Four Masterworks of the Ming Novel" (ssu ta ch'i-shu). Arguing that these are far more than collections of popular narratives, Professor Plaks shows that their fullest recensions represent a sophisticated new genre of Chinese prose fiction arising in the late Ming dynasty, especially in the sixteenth century. He then analyzes these radical transformations of prior source materials, which reflect the values and intellectual concerns of the literati of the period. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Four Masterworks of the Ming Novel
The Description for this book, The Four Masterworks of the Ming Novel: Ssu ta ch'i-shu, will be forthcoming.
Archetype and Allegory in the Dream of the Red Chamber
Surprisingly little has been written in Western languages about the eighteenth- century Chinese novel Dream of the Red Chamber, perhaps the supreme masterpiece of its entire tradition. In this study, Andrew H. Plaks has used the conceptual tools of comparative literature to focus on the novel's allegorical elements and narrative structure. He thereby succeeds in accounting for the work's greatness in terms that do justice to its own narrative tradition and as well to recent advances in general literary theory. A close textual reading of the novel leads to discussion of a wide range of topics: ancient Chinese mythology, Chinese garden aesthetics, and the logic of alternation and recurrence. T...
Chinese Narrative
Although Chinese narrative, and especially the genres of colloquial fiction, have been subjected to intensive scholarly scrutiny, no comprehensive volume has provided a framework that would permit an overall view of the tradition. The distinguished contributors to this volume have taken an important first step in making possible the consideration of Chinese narrative at the level of comparative and general literary scholarship. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
How to Read the Chinese Novel
Fiction criticism has a long and influential history in pre-modern China, where critics would read and reread certain novels with a concentration and fervor far exceeding that which most Western critics give to individual works. This volume, a source book for the study of traditional Chinese fiction criticism from the late sixteenth to the early twentieth centuries, presents translations of writings taken from the commentary editions of six of the most important novels of pre-modern China. These translations consist mainly of tu-fa, or "how-to-read" essays, which demonstrate sensitivity and depth of analysis both in the treatment of general problems concerning the reading of any work of fict...
Chinese Narrative
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Statecraft and Classical Learning
Statecraft and Classical Learning is devoted to the Rituals of Zhou, one of the ancient Chinese Classics. In addition to its canonical stature in classical learning, the massive text was of unique significance to the pre-modern statecraft of China, Japan, Korea, and Vietnam where it served as the classical paradigm for government structure and was often invoked in movements of political reform. The present volume, with contributions from twelve leading North American, European, and East Asian scholars, is the first in any language to illuminate the Rituals in both dimensions. It presents a multi-faceted and fascinating picture of the life of the text from its inception some two millennia ago to its modern political and scholarly discourse.
The Scholar's Mind
Professor Frederick W. Mote (1922–2006) has been widely recognized as a key figure in the field of Sinology. He taught at Princeton University for thirty-one years and was a founder of both Princeton's Department of East Asian Studies and its re-markable Gest (East Asian) Library. His distinguished record of scholarly publication includes the co-editing, with Professor Denis C. Twitchett, of volumes seven and eight of the Cambridge History of China. Although he is perhaps best known for his studies of the Ming dynasty, his special erudition, as demonstrated in his final book, Imperial China, 900-1800, spans the Song through Qing periods. Generations of his students and colleagues have admired him not only for his learning but for his generosity in sharing his broad understanding of China. This wide-ranging collection includes papers by David A. Sensabaugh, Geoff Wade, Hok-lam Chan, Tai-loi Ma, Martin Hei-jdra, Chen-main Wang, Thomas Bartlett, Paul R. Katz, Alfreda Murck and Perry Link. Its publication stands not only as a tribute to Professor Mote but as a major contribution to the field of Sinology.
The Power of Culture
A symposium of essays presented in honor of T. T. Ch'en and F. W. Mote on the occasion of their retirement from the East Asian Studies Department of Princeton University. The participants and contributors are all renowned scholars in Chinese studies, including K. C. Chang, Tsu-lin Mei, Shuen-fu Lin, Yu-kung Kao, Donald Holzman, John Hay, Jao Tsung-i, Peter Bol, Richard Barnhart, Shou-chien Shih, Kang-i Sun Chang, Andrew Lo, Keith McMahon, Ju-hsi Chou, Derk Bodde and the editors."
