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FrC 22.2 Nikostratos II – Theaitetos
This work is part of the Fragmenta Comica series which aims to provide commentaries and translations to all the surviving fragments and testimonia of the comic poets of ancient Greece. This volume offers the first scholarly commentary and sustained study of several late fourth-century BCE poets of the so-called New Comedy – among them Philippides of Athens, a writer and dramatist highly esteemed in antiquity, known especially for his acrimonious clashes with Athenian demagogues and his influential friendship with foreign kings. All fragments are subject to close textual, linguistic and stylistic analysis, and are interpreted against the wider literary, social and historical background of the period. This volume will be a valuable reference work for scholars and students of ancient comedy, as well as anyone interested in ancient literature more generally and the broader historical and cultural contexts in which these texts were written.
The Art of Veiled Speech
The Art of Veiled Speech offers new insights into the historical origins of self-censorship used to temper controversial views, revealing that the human voice cannot easily be silenced.
Dithyramb in Context
The editors look at dithyramb in its entirety, understanding it as a social and cultural phenomenon of Greek antiquity. How the dithyramb functions as a marker and as a carrier of social change throughout Greek antiquity is expressed in themes such as performance and ritual, poetics and intertextuality, music and dance, history and politics.
Why Athens?
A collection of essays reconsidering Greek tragedy as a reflection of Athenian political culture. The contributors explore the role of tragedy as a distinctively Athenian cultural product and its particular relationship with the city that nurtured and hosted it.
