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Hicks & Goo's Cases and Materials on Company Law
Hick's name appears first on the earlier edition.
Composing the World
Taking in hand the current ""discovery"" that we can listen to the cosmos, Andrew Hicks argues that sound-and the harmonious coordination of sounds, sources, and listeners-has always been an integral part of the history of studying the cosmos. In Composing the World, Hicks presents a narrative tour through medieval Platonic cosmology with reflections on important philosophical movements along the way. The book will resonate with a variety of readers, and it encourages us to rethink the role of music and sound within our greater understanding of the universe.
Journal of the Andrew Hicks (Bark), Glas Lyn (Bark), Robert Morrison (Bark), Venezuela (Bark) and William Campbell (Ship); Mastered by Edward E. Hicks and Andrew J. Mosher; and Kept by Joseph T. Sampson; on Whaling Voyages Between 1876 and 1885.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Composing the World
"We can hear the universe!" This was the triumphant proclamation at a February 2016 press conference announcing that the Laser Interferometer Gravity Observatory (LIGO) had detected a "transient gravitational-wave signal." What LIGO heard in the morning hours of September 14, 2015 was the vibration of cosmic forces unleashed with mind-boggling power across a cosmic medium of equally mind-boggling expansiveness: the transient ripple of two black holes colliding more than a billion years ago. The confirmation of gravitational waves sent tremors through the scientific community, but the public imagination was more captivated by the sonic translation of the cosmic signal, a sound detectable only...
My Thai Girl and I
This is about how Andrew Hicks met Cat, a ‘Thai girl’ half his age and how they set up home together in her village out in the rice fields of North Eastern Thailand. He'll tell you of toads in the toilet, of ants' eggs for breakfast, how they took up frog farming and how he got married without really meaning to. It's also a book about the countryside, of the old Thailand where the rhythm of the seasons and belief in the spirits and Buddhism remain strong. Though how could Andrew, a greying English lawyer, ever fit into the lives of a Thai rice farming family? Can Cat and Andrew with their many differences really be compatible?
Thai Girl
When travellers Ben and Emma split up in Thailand, Ben falls for a local masseuse and experiences the darker side of tourism, where farmers' daughters sell their bodies in Bangkok bars. Thai Girl is a thought-provoking adventure novel that explores the problems of prostitution and cross-cultural relationships, and reaches its climax in the sultry heat of Thailand’s exotic traveller beaches.
The Andrew Hicks and Charles Stone Families
Andrew Hicks (1794-1869) married twice, and immigrated in 1835 from England to land near Danville, Ohio. Charles Stone (1797-1870) married Selina White in 1822, and immigrated that same year from England to various counties in Ohio, finally settling in 1853 in Richland County, Ohio. Hicks and Stone descendants lived in Ohio, Indiana, Illinois, Missouri, Kansas, Texas, California and elsewhere.
Studio Television Production and Directing
This updated third edition of Studio Television Production and Directing introduces readers to the basic fundamentals of studio and control room production. Accessible and focused, readers of this updated third edition will learn about essential studio and control room terminology and the common technology package. This book is your back-to-the-basics guide to common technology—including principles of directing, assistant directing, technical directing, playback, audio ops, basic studio lighting, an introduction to set design, camera ops, floor directing, story types (VO, VO/SOT, PKG), basic engineering, and more. Whether an established professional or a student, this book provides readers with the technical expertise to successfully coordinate live or recorded multicamera production. In this new edition, author Andrew Hicks Utterback offers an expanded glossary and new material on visualization walls, alternative camera mounts, basic engineering, and news narrative diagramming.
Craft Gin Making
Craft Gin Making is a detailed guide to entering the world of gin production. For beginners and experienced producers alike, it offers key insights and practical advice on what you need to get started and how to progress in this fascinating and growing craft. It covers both distilling and cold compounding, providing advice on equipment and detailing step-by-step processes, whilst discussing a wide variety of gin production issues. Topics covered include a brief history of gin and gin making; the tools, equipment and ingredients needed for the different methods of producing gin; the most common methods and how to achieve success in them; the practicalities of filtration, bottling, sealing and labelling; making flavoured gins; why things might go wrong and how to correct them and, finally, the legal aspects of gin production.
Glossator 12: Commenting and Commentary as an Interpretive Mode in Medieval and Early Modern Europe
VOLUME 12 (2022): COMMENTING AND COMMENTARY AS AN INTERPRETIVE MODE IN MEDIEVAL AND EARLY MODERN EUROPE Edited by Christina Lechtermann and Markus Stock Introduction: Commenting and Commentary as an Interpretive Mode in Medieval and Early Modern Europe Christina Lechtermann & Markus Stock The Pro-Active Scribe: Preparing the Margins of Annotated Manuscripts Erik Kwakkel Thinking from the Margins: Opening and Closing Illuminations and their Commentary Functions around 1000 Kristin Böse Reading Texts within Texts: The Special Case of Lemmata Andrew Hicks The In-/Coherences of Narrative Commentary: Commentarial Forms in the Anegenge Christina Lechtermann Dante’s Self-Commentary and the Call for Interpretation Elisa Brilli Spiritualizing Petrarchism, “Poeticizing” the Bible: Two Counter-Reformation Self-Commentaries Christine Ott and Philip Stockbrugger The Power of Glosses: Francesco Fulvio Frugoni’s Self-Commentary and Literary Criticism in the Tribunal della Critica Andrea Baldan Commenting on a Purged Model: The M. Valerii Martialis Epigrammaton libri omnes novis commentariis illustrati of the Jesuit Matthäus Rader (1602) Magnus Ulrich Ferber
