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Devil's Day
"A gripping and unsettling new novel by the award-winning author of The Loney that asks how much we owe to tradition, and how far we will go to preserve it"--
Starve Acre
'An impeccable work of folk horror' Irish Times The worst thing possible has happened. Richard and Juliette Willoughby's son, Ewan, has died suddenly at the age of five. Convinced that the boy still lives on in some form, and desparate to make contact, Juliette seeks the help of the Beacons, a seemingly benevolent group of occultists. Whereas Ricahrd, an art historian, tries to blot out the pain of his grief by turning his attention to the field opposite their house, Starve Acre. Patiently he digs in the barren soil looking for the roots of a legendary oak tree but unearths something which ought to have remained buried. 'I will confidently predict that no reader will guess where it's heading . . . Hurley's ability to create a wold that's like ours in many ways and really not in many others is again on full display' The Times
Environmental Inequalities
By examining environmental change through the lens of conflicting social agendas, Andrew Hurley uncovers the historical roots of environmental inequality in contemporary urban America. Hurley's study focuses on the steel mill community of Gary, Indiana, a city that was sacrificed, like a thousand other American places, to industrial priorities in the decades following World War II. Although this period witnessed the emergence of a powerful environmental crusade and a resilient quest for equality and social justice among blue-collar workers and African Americans, such efforts often conflicted with the needs of industry. To secure their own interests, manufacturers and affluent white suburbanites exploited divisions of race and class, and the poor frequently found themselves trapped in deteriorating neighborhoods and exposed to dangerous levels of industrial pollution. In telling the story of Gary, Hurley reveals liberal capitalism's difficulties in reconciling concerns about social justice and quality of life with the imperatives of economic growth. He also shows that the power to mold the urban landscape was intertwined with the ability to govern social relations.
The Loney
If it had another name, I never knew, but the locals called it the Loney - that strange nowhere between the Wyre and the Lune where Hanny and I went every Easter time with Mummer, Farther, Mr and Mrs Belderboss and Father Wilfred, the parish priest. It was impossible to truly know the place. It changed with each influx and retreat, and the neap tides would reveal the skeletons of those who thought they could escape its insidious currents. No one ever went near the water. No one apart from us, that is. I suppose I always knew that what happened there wouldn't stay hidden for ever, no matter how much I wanted it to. No matter how hard I tried to forget ...
The Return of Jazz
Jazz has had a peculiar and fascinating history in Germany. The influential but controversial German writer, broadcaster, and record producer, Joachim-Ernst Berendt (1922–2000), author of the world’s best-selling jazz book, labored to legitimize jazz in West Germany after its ideological renunciation during the Nazi era. German musicians began, in a highly productive way, to question their all-too-eager adoption of American culture and how they sought to make valid artistic statements reflecting their identity as Europeans. This book explores the significance of some of Berendt’s most important writings and record productions. Particular attention is given to the “Jazz Meets the World” encounters that he engineered with musicians from Japan, Tunisia, Brazil, Indonesia, and India. This proto-“world music” demonstrates how some West Germans went about creating a post-nationalist identity after the Third Reich. Berendt’s powerful role as the West German “Jazz Pope” is explored, as is the groundswell of criticism directed at him in the wake of 1968.
Beyond Preservation
A framework for stabilizing and strengthening inner-city neighborhoods through the public interpretation of historic landscapes.
Common Fields
In these pages, geographers, archaeologists, and historians come together to consider the enduring ties between a city's diverse residents and the physical environment on which their well-being depends.
Iron Towns
Twenty years ago, Liam Corwen and Dee Dee Ahmed were on the cusp of a better future, Liam as a promising footballer and Dee Dee as a singer in a girl band. Now they're both eking out an existence back in their home town. As the old steelworks rust and the local football club limps towards relegation and liquidation, Dee Dee recalls the tragic events that changed their lives. Liam thinks back to the great players of the past, and wonders: could redemption, greatness even, still wait for them, here among the abandoned cranes and docks and housing estates? Evoking the landscape and myth of old, forgotten England, Iron Towns is a story of our dreams of youth, football, and industrial progress - and what happens when those dreams recede into the past. New paperback edition featuring Cartwright's acclaimed essay on the EU referendum.
Diners, Bowling Alleys, And Trailer Parks: Chasing The American Dream In Postwar Consumer Culture
In tracing the rise of these three distinctively American institutions, Andrew Hurley examines the struggle of Americans with modest means to attain the good life after two long decades of depression and war.".
Folk Horror
Interest in the ancient, the occult, and the "wyrd" is on the rise. The furrows of Robin Hardy (The Wicker Man), Piers Haggard (Blood on Satan's Claw), and Michael Reeves (Witchfinder General) have arisen again, most notably in the films of Ben Wheatley (Kill List), as has the Spirit of Dark of Lonely Water, Juganets, cursed Saxon crowns, spaceships hidden under ancient barrows, owls and flowers, time-warping stone circles, wicker men, the goat of Mendes, and malicious stone tapes. Folk Horror: Hours Dreadful And Things Strange charts the summoning of these esoteric arts within the latter half of the twentieth century and beyond, using theories of psychogeography, hauntology, and topography to delve into the genre's output in film, television, and multimedia as its "sacred demon of ungovernableness" rises yet again in the twenty-first century.
