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Unsun
In his fifth poetry volume, American poet Andrew Zawacki expands his inquiry into the possibilities and dangers of a ‘global pastoral,’ exploring geographies alternately enhanced and flattened out by digital networks, international transit, the uneven and invisible movements of capital, and the unrelenting feedback loops of data surveillance, weather disaster, war. Wheeling interference patterns of systems of meaning, from radio signals and runway signage to foreign phrases and babytalk, interact with the ‘langscape’ of English, while punctuation is retrofitted as coding. In creating a politically committed lyric form that opens all the dimensions of language – sonic and semantic, syntactic and graphic – Unsun sustains an oblique conversation with Paul Celan’s Fadensonnen, Chris Marker’s Sans soleil, and Michael Palmer’s Sun. Loosely structured by the settings of analog photography, the book features a suite of the author’s black-and-white, large format images alongside an adaptation of Tang Dynasty poet Wang Wei and a series of fractured sonnets for – and from – his young daughter.
By Reason of Breakings
By Reason of Breakings, Andrew Zawacki's first book of poetry, overwhelms and silences by virtue of its extremely austere beauty. In highly wrought lyrics, prose poems, fragments of apocrypha, and splintered efforts at song, this volume is forceful and haunted by doubt. Each intimate and restrained line is a glimpse at a wisdom that defies paraphrase, each image carefully chosen and constructed. Zawacki's language summons and invites and is almost menacing in its delicate intensity: "Weight is the syntax of filling empty spaces: scalpels and expired tissue fall, but fire rises to fever and sere." While pursuing an explanation for the disappearance of God and for the denouement of a love affair, and exploring the failure of language to compensate or console, these poems maintain their sublime power and elegance.
Anabranch
Emotionally charged poetry offers an uncanny poetics of intimacy.
Petals of Zero, Petals of One
Poetry. Andrew Zawacki's third book explores the dynamics of one and of none: being and nothingness, binary code, virtual flowers in a bulletproof vase, she loves me she loves me not. Inflected by an ecopoetics that lets the electro in, PETALS OF ZERO PETALS OF ONE consists of three concatenated tracks, sequenced in a low-tech echo chamber. Winner of the 1913 Prize, Georgia has been praised by Cole Swensen as a vibrant disaster that keeps us feeling falling, while Peter Gizzi calls it a high velocity tour-de-force. The central series, Arrow's shadow is a fractured ars poetica and an elegiac encounter with landscape and syllable, with pixelated forms and light. Storm, lustral choreographs an epileptic last dance along the ditch waters and wanderlust of the Dasein. This volume affirms Susan Howe's claim that Zawacki combines the disciplined perception of a naturalist with the inspired perception of a poet.
The Verse Book of Interviews
Fascinating conversations with contemporary poets from around the world.
THE LUMINOUS IMAGE.
None
Swivelmount
Poems to read in the small hours before dawn, when the sirens start up again. Swivelmount’s concerns – the collapse of subject and world, eros and law, knowledge and bafflement – gain new urgency as Babstock fiercely reimagines and reassembles the remnants into a viable order. At the core of their kinetic imagery is a freefall into mourning, but also a faith in others: a Babstock poem is the voice next to you in the ER waiting room, becalmed, compassionate, darkly humorous. This is Babstock at his best. Past Praise: “This is a poetry that is so uncompromising in how it deals with traditions – of poetic forms, of dictions, of militaristic histories – that it becomes something magn...
Counterfactual Love Stories and Other Experiments
Fiction. Asian & Asian American Studies. From fragmented ransom notes to hanging footnotes, contemporary fairy tales to coded text, interconnecting pieces of modal flash fiction to backwards fractal narratives about gradual blindness, transgressive listicles to how-to guides for performative wokeness, variable destinies in downtown Chicago to impossible dating applications, counterfactual relationships to the French translation of adolescence, the conceptual, language-driven short stories in COUNTERFACTUAL LOVE STORIES AND OTHER EXPERIMENTS are an exploration of not just mixed-race/hapa identity in Michigan (and the American Midwest), but also of the infinite ways in which stories can be told, challenged, celebrated, and subverted.
The Story of My Accident is Ours
Fiction. A product of over 15 years of writing, this multivalent new work both builds on and departs from Levitsky's previous efforts, as she traverses a host of contemporary theoretical discourses and concerns: transgendered bodies, social movements, pharmaceutical management of the emotions, and countless others. "The movement revolves around an accident, the exact nature of which is not disclosed. Despite the abstractions inherent in these constraints, I want the document to be accessible, engaging, addictive, and uncomfortable to hold, as in the instance of a suitcase with something vibrating inside." In this project, the formal poetics of expression confront fiction to create something utterly new.
Unworthy Republic: The Dispossession of Native Americans and the Road to Indian Territory
Winner of the 2021 Bancroft Prize and the 2021 Ridenhour Book Prize Finalist for the 2020 National Book Award for Nonfiction Named a Top Ten Best Book of 2020 by the Washington Post and Publishers Weekly and a New York Times Critics' Top Book of 2020 A masterful and unsettling history of “Indian Removal,” the forced migration of Native Americans across the Mississippi River in the 1830s and the state-sponsored theft of their lands. In May 1830, the United States launched an unprecedented campaign to expel 80,000 Native Americans from their eastern homelands to territories west of the Mississippi River. In a firestorm of fraud and violence, thousands of Native Americans lost their lives, and thousands more lost their farms and possessions. The operation soon devolved into an unofficial policy of extermination, enabled by US officials, southern planters, and northern speculators. Hailed for its searing insight, Unworthy Republic transforms our understanding of this pivotal period in American history.
