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The Ethics of Simone Weil and Ludwig Wittgenstein
This thesis investigates the ethics of Simone Well and Ludwig Wittgenstein. I claim that, for both Weil and Wittgenstein, ethics is not systematic or propositional: it is a discipline of attentiveness. For Well, this attentiveness is expressed through impartial respect for the needs of others. The self, which exists as a fixed point of view, interferes with the impartiality of the attention, and Weil's idea of decreation, I argue, is a way of freeing thought from a point of view. I trace the continuity of Wittgenstein's ethical thinking from his early to late work, and argue that, while he later rejects his Tractarian metaphysics and logical atomism, his reverence for the ineffability of value remains consistent. I argue further that his themes of family resemblances and perspicuous representation are ways of focussing the attention on internal relations among things in the world. Finally, I assert that the aphoristic form in which Weil and Wittgenstein composed is necessary to their expression of resonant moral truths.
Hegel, Haiti, and Universal History
In this path-breaking work, Susan Buck-Morss draws new connections between history, inequality, social conflict, and human emancipation. Hegel, Haiti, and Universal History offers a fundamental reinterpretation of Hegel's master-slave dialectic and points to a way forward to free critical theoretical practice from the prison-house of its own debates. Historicizing the thought of Georg Wilhelm Friedrich Hegel and the actions taken in the Haitian Revolution, Buck-Morss examines the startling connections between the two and challenges us to widen the boundaries of our historical imagination. She finds that it is in the discontinuities of historical flow, the edges of human experience, and the unexpected linkages between cultures that the possibility to transcend limits is discovered. It is these flashes of clarity that open the potential for understanding in spite of cultural differences. What Buck-Morss proposes amounts to a "new humanism," one that goes beyond the usual ideological implications of such a phrase to embrace a radical neutrality that insists on the permeability of the space between opposing sides and as it reaches for a common humanity.
Imagination and Art: Explorations in Contemporary Theory
This transdisciplinary project represents the most comprehensive study of imagination to date. The eclectic group of international scholars who comprise Imagination and Art propose bold and innovative theoretical frameworks for (re-) conceptualizing imagination in all of its divergent forms.
Hydrologos
Hydrologos is one long poem composed in five suites and a coda, and spoken through masks. It is a poem about a specific passion, the one that always follows love: sorrow. At the poem's centre is the original lyric elegy, the myth of Orpheus, but re-imagined from the perspective of Eurydike. What happens to a human being under the geologic pressure of passion? -- One calls out, and the world's response is silence. The work of sorrowing, one learns, is the work -- the endless work -- of listening, by which the listener is changed.
Valency over Time
Valency patterns and valency orientation have been frequent topics of research under different perspectives, often poorly connected. Diachronic studies on these topics is even less systematic than synchronic ones. The papers in this book bring together two strands of research on valency, i.e. the description of valency patterns as worked out in the Leipzig Valency Classes Project (ValPaL), and the assessment of a language's basic valency and its possible orientation. Notably, the ValPaL does not provide diachronic information concerning the valency patterns investigated: one of the aims of the book is to supplement the available data with data from historical stages of languages, in order to make it profitably exploitable for diachronic research. In addition, new research on the diachrony of basic valency and valency alternations can deepen our understanding of mechanisms of language change and of the propensity of languages or language families to exploit different constructional patterns related to transitivity.
This Is Not a Hoax
This Is Not a Hoax shows how the work of some contemporary artists and writers intentionally disrupts the curatorial and authorial practices of the country’s most respected cultural institutions: art galleries, museums, and book publishers. This first-ever study of contemporary Canadian hoaxes in visual art and literature asks why we trust authority in artistic works and how that trust is manifest. This book claims that hoaxes, far from being merely lies meant to deceive or wound, may exert a positive influence. Through their insistent disobedience, they assist viewers and readers in re-examining unquestioned institutional trust, habituated cultural hierarchies, and the deeply inscribed racism and sexism of Canada’s settler-colonial history. Through its attentive look at hoaxical works by Canadian artists Iris Häussler, Brian Jungen, and Rebecca Belmore, photographer Jeff Wall, and writers and translators David Solway and Erin Mouré, this book celebrates the surprising ways hoaxes call attention to human capacities for flexibility, adaptation, and resilience in a cultural moment when radical empathy and imagination is critically needed.
Attending
Attending – patient contemplation focused on a particular being – is a central ethical activity that has not been recognized by any of the main moral systems in the European philosophical tradition. That tradition has imagined that the moral agent is primarily a problem solver and world changer when what might be needed most is a witness. Moral theory has been agonized by dualism – motivation is analyzed into beliefs and desires, descriptions of facts and dissatisfactions with them, while action is represented as an effort to lessen dissatisfaction by altering the empirical world. In Attending Warren Heiti traces an alternative genealogy of ethics, drawing from the Platonism recovered ...
Pollination
An enticing illustrated look at pollination, one of the most astonishing marvels of the natural world Pollination is essential to the survival of most plants on Earth. Some plants rely on the wind to transport pollen from one flower to another. Others employ an array of ingenious strategies to attract and exploit pollinators, whether they be insects, birds, or mammals. This beautifully illustrated book provides an unprecedented look at the wonders of pollination biology, drawing on the latest science to explain the extraordinarily complex relationship between plant and pollinator, and revealing why pollination is vital for healthy ecosystems and a healthy planet. Timothy Walker offers an eng...
The Forbidden Purple City
A man returns to Hoi An in his retirement to compose a poem honouring his parents. Two teenagers, ostracized in a private school, forge an unlikely bond. A son discovers the truth about his father's business ventures and his dreams of success. A young bride, isolated on a remote island with her new husband, finds community in a group of abalone divers.
The Subversive Simone Weil
Known as the “patron saint of all outsiders,” Simone Weil (1909–43) was one of the twentieth century’s most remarkable thinkers, a philosopher who truly lived by her political and ethical ideals. In a short life framed by the two world wars, Weil taught philosophy to lycée students and organized union workers, fought alongside anarchists during the Spanish Civil War and labored alongside workers on assembly lines, joined the Free French movement in London and died in despair because she was not sent to France to help the Resistance. Though Weil published little during her life, after her death, thanks largely to the efforts of Albert Camus, hundreds of pages of her manuscripts were ...
