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This is the hard cover edition of Joan Cartwright's first book of memoirs, poetry, songs, and lectures.
Growing economic inequality, corporate influence in politics, an eroding middle class. Many Americans leave it to politicians and the media to debate these topics in the public sphere. Yet other seemingly ordinary Americans have decided to enter the conversation of wealth in America by donning ball gowns, tiaras, tuxedos, and top hats and taking on the imagined roles of wealthy, powerful, and completely fictional characters. Why? In No Billionaire Left Behind, Angelique Haugerud, who embedded herself within the "Billionaires" and was granted the name "Ivana Itall," explores the inner workings of these faux billionaires and mines the depths of democracy's relationship to political humor, sati...
Recent shifts in the theatrical landscape have had corresponding implications for dramaturgy. The way we think about theatre and performance today has changed our approaches to theatre making and composition. Emerging new aesthetics and new areas of dramaturgical work such as live art, devised and physical theatre, experimental performance, and dance demand new approaches and sensibilities. New Dramaturgy: International Perspectives on Theory and Practice is the first book to explore new dramaturgy in depth, and considers how our thinking about dramaturgy and the role of the dramaturg has been transformed. Edited by Katalin Trencsényi and Bernadette Cochrane, New Dramaturgy: International Perspectives on Theory and Practice provides an unrivalled resource for practitioners, scholars, and students.
Readers will learn that music based on jazz beats can be heard all over the world but the roots of the style are distinctly American. Jazz grew out of the musical hothouse that was New Orleans, Louisiana at the end of the nineteenth century. Jazz represents the creative musical side of the United States to people across the globe. Jazz personalities such as Louis Armstrong, Dizzy Gillespie, Wynton Marsalis, and now Esperanza Spaulding, are heroes to countless jazz fans from Tokyo to Paris to Rio de Janeiro. Just as a swinging jazz quartet unites its individual players behind a driving syncopated beat, jazz music has proven its ability to bring people together over a shared interest in a universal sound.
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From selected key lyrics provided, name the song, artist, or composer, in this music trivia book. Chapters include WHAT'S NEW, GOLDEN OLDIES, TELEVISION'S GREATEST HITS, and WORST LYRICS EVER to name just a few. Whether you are eight or eighty, there is something here to challenge everyone. The open ended play structure lets you set the rules and challenge your friends. You will find yourself singing out loud as you try naming these classic songs. Never before has a book brought back so many memories and been so addictive. BE SURE TO TRY A FEW QUESTIONS IN THE BOOK PREVIEW!
Morrissey is a popular music icon. The former singer of the influential Manchester band The Smiths is arguably one of the most intriguing and popular, if not polarizing, iconic figures of popular culture. But this book is not about Morrissey. This book is about his fans, their creative expressions of fandom, and their contributions to Morrissey’s worldwide popularity. Specifically, this book is about the subculture of Moz fandom as a US-Mexican borderland phenomenon. Mozlandia—Morrissey fans from the Midlands to the Borderlands.
This book explores intersections of theory and practice to engage queer theory and education as it happens both in and beyond the university. Furthering work on queer pedagogy, this volume brings together educators and activists who explore how we see, write, read, experience, and, especially, teach through the fluid space of queerness. The editors and contributors are interested in how queer-identified and -influenced people create ideas, works, classrooms, and other spaces that vivify relational and (eco)systems thinking, thus challenging accepted hierarchies, binaries, and hegemonies that have long dominated pedagogy and praxis.
This book gathers the proceedings of the I-ESA’18 Conference, which was organised by the Fraunhofer IPK, on behalf of the European Virtual Laboratory for Enterprise Interoperability (INTEROP-VLab) and the DFI, and was held in Berlin, Germany in March 2018. It presents contributions ranging from academic research and case studies, to industrial and administrative experiences with interoperability that show how, in a globalised market scenario – where the ability to cooperate with other organisations efficiently is essential in order to remain economically, socially and environmentally cost-effective – the most innovative digitised and networked enterprises ensure that their systems and ...