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Aesthetics in Performance
In various ways, the essays presented in this volume explore the structures and aesthetic possibilities of music, dance and dramatic representation in ritual and theatrical situations in a diversity of ethnographic contexts in Europe, the Americas, Africa and Asia. Each essay enters into a discussion of the "logic" of aesthetic processes exploring their social and political and symbolic import. The aim is above all to explore the way artistic and aesthetic practices in performance produce and structure experience. Angela Hobart is the coordinating lecturer at Goldsmiths College on Intercultural Therapy and lectures at the British Museum on the Art and Culture of South East Asia. Bruce Kapferer is Professor of Social Anthropology at the University of Bergen, Adjunct Professor at James Cook University and Honorary Professor at University College London.
Healing Performances of Bali
The rich traditions of myth, ritual, performance, and worship that are integral to popular medicine in Bali are central themes in this study by Hobart (medical anthropology, Goldsmiths' College of London U., UK). Based on ten years of research in Bali, descriptions of the specific practices of indiv
Shamanism and Islam
Here, Thierry Zarcone and Angela Hobart offer a vigorous and authoritative exploration of the link between Islam and shamanism in contemporary Muslim culture, examining how the old practice of shamanism was combined with elements of Sufism in order to adapt to wider Islamic society. Shamanism and Islam thus surveys shamanic practices in Central Asia, the Middle East, North Africa and the Balkans, to show how the Muslim shaman, like his Siberian counterpart, cultivated personal relations with spirits to help individuals through healing and divination. It explores the complexities and variety of rituals, involving music, dance and, in some regions, epic and bardic poetry, demonstrating the close links between shamanism and the various arts of the Islamic world. This is the first in-depth exploration of 'Islamized shamanism', and is a valuable contribution to the field of Islamic Studies, Religion, Anthropology, and an understanding of the Middle East more widely.
Aesthetics in Performance
In various ways, the essays presented in this volume explore the structures and aesthetic possibilities of music, dance and dramatic representation in ritual and theatrical situations in a diversity of ethnographic contexts in Europe, the Americas, Africa and Asia. Each essay enters into a discussion of the "logic" of aesthetic processes exploring their social and political and symbolic import. The aim is above all to explore the way artistic and aesthetic practices in performance produce and structure experience.
When the World Becomes Female
“A carefully crafted ethnography on the South Indian festival of the village goddess Gangamma in the pilgrimage town of Tirupati” (Choice). During the goddess Gangamma’s festival in the town of Tirupati, lower-caste men take guises of the goddess, and the streets are filled with men wearing saris, braids, and female jewelry. By contrast, women participate by intensifying the rituals they perform for Gangamma throughout the year, such as cooking and offering food. Joyce Burkhalter Flueckiger argues that within the festival ultimate reality is imagined as female and women identify with the goddess, whose power they share. Vivid accounts by male and female participants offer new insights ...
Breathing Hearts
Sufism is known as the mystical dimension of Islam. Breathing Hearts explores this definition to find out what it means to ‘breathe well’ along the Sufi path in the context of anti-Muslim racism. It is the first book-length ethnographic account of Sufi practices and politics in Berlin and describes how Sufi practices are mobilized in healing secular and religious suffering. It tracks the Desire Lines of multi-ethnic immigrants of color, and white German interlocutors to show how Sufi practices complicate the post secular imagination of healing in Germany.
What's in a Divine Name?
Divine Names are a key component in the communication between humans and gods in Antiquity. Their complexity derives not only from the impressive number of onomastic elements available to describe and target specific divine powers, but also from their capacity to be combined within distinctive configurations of gods. The volume collects 36 essays pertaining to many different contexts - Egypt, Anatolia, Levant, Mesopotamia, Greece, Rome - which address the multiple functions and wide scope of divine onomastics. Scrutinized in a diachronic and comparative perspective, divine names shed light on how polytheisms and monotheisms work as complex systems of divine and human agents embedded in an hi...
War, Technology, Anthropology
Technologies of the allied warfare in Iraq and Afghanistan, such as remote-controlled drones and night vision goggles, allow the user to “virtualize” human targets. This coincides with increased civilian casualties and a perpetuation of the very insecurity these technologies are meant to combat. This concise volume of research and reflections from different regions across Asia, the Middle East, Latin America, and Africa, observes how anthropology operates as a technology of war. It tackles recent theories of humans in society colluding with imperialist claims, including anthropologists who have become involved professionally in warfare through their knowledge of “cultures,” renamed as “human terrain systems.” The chapters link varied yet crucial domains of inquiry: from battlefields technologies, military-driven scientific policy, and economic warfare, to martyrdom cosmology shifts, media coverage of “distant” wars, and the virtualizing techniques and “war porn” soundtracks of the gaming industry.
Limits of Life
New technologies and scientific imagination rearrange the boundary that we identify as the beginning and end of life. New techno-social constellations, such as the ever-increasing presence of digital avatars and genetic screenings, implore us to reconsider and transcend the existing definitions of life and death. Through a multidisciplinary approach, this volume explores how the limitations and perceived finality of life and death are reconstituted through engagements with modern technology.
Vision and Society
The sociology of art is now an established sub-discipline of sociology. But little work has been done to explore the implications not of society on art, but of art on the nature and principles of sociology itself. Vision and Society explores the ways in which art (here mainly understood as visual art) structures in fundamental ways the constitution of society, the relations between societies and the ways in which society and culture should be theorized. Building initially on an unfulfilled project by the French sociologist of art Nathalie Heinich to derive a sociology from art, this book pushes this idea in unconventional directions. Rethinking the relationships between the study of art and the study of sociology and anthropology, this book explores how this rethinking might impact sociological theory in general, and certain aspects of it in particular – especially the study of social movements, social change, the urban, the constitution of space and the ways in which human social relationships are mediated and expressed.
