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Intermodernism
This collection of original critical essays, newly available in paperback, launches an ambitious, long-term project marking out a new period and style in twentieth-century literary history.
After the Fall
In this work, the first critical monograph on Suite française, Nathan Bracher shows how, first amid the chaos and panic of the May-June 1940 debacle, and then within the unsettling new order of the German occupation, Némirovsky's novel casts a particularly revealing light on the behavior and attitudes of the French as well as on the highly problematic interaction of France's social classes
France and the Spanish Civil War
In this wide-ranging study of French intellectuals who represented the Spanish Civil War as it was happening and in its immediate aftermath, Martin Hurcombe explores the ways in which these individuals addressed national anxieties and shaped the French political landscape. Bringing together reportage, essays, and fiction by French supporters of Franco's Nationalists and of the Spanish Republic, Hurcombe shows the multifaceted ways in which that conflict impacted upon French political culture. He argues that French cultural representations of the war often articulated a utopian image of the Nationalists or of the Spanish Republic that served as models behind which the radical right or the radical left in France might mobilise. His book will be of interest not only to scholars of French literature and culture but also to those interested in how events unfolding in Spain found an echo in the political landscapes of other countries.
In the Name of Italy:Nation, Family, and Patriotism in a Fascist Court
Examines justice, nationalism, gender, and patriotism in Fascist Italy through the lens of a 1931 Administrative Court case related to surname italianization in Italy's Adriatic borderlands.
Contemporary Reconfigurations of American Literary Classics
The number and popularity of novels that have overtly reconfigured aspects of classic American texts suggests a curious trend for both readers and writers, an impulse to retell and reread books that have come to define American culture. This book argues that by revising canonical American literature, contemporary American writers are (re)writing an American myth of origins, creating one that corresponds to the contemporary writer’s understanding of self and society. Informed by cognitive psychology, evolutionary literary criticism, and poststructuralism, Entzminger reads texts by canonical authors Poe, Hawthorne, Melville, Alcott, Twain, Chopin, and Faulkner, and by the contemporary writer...
Irène Némirovsky's Russian Influences
This book explores the influence of Tolstoy, Dostoevsky, and Chekhov on Russian-born French language writer Irène Némirovsky. It considers the complexity of each of these relationships and the different modes in which they appear; demonstrating how, by skillfully integrating reading and writing, reception and creation, Némirovsky engaged with Russian literature within her own work. Through detailed analysis of the intersections between novels, short stories and archival sources, the book assesses to what degree Tolstoy, Dostoevsky and Chekhov influenced Némirovsky, how this influence affected her work, and to what effects. To this aim the book articulates the notion of creative influence, a method that, in conversation with theories of influence, intertextuality, and reception aesthetics, seeks to reflect a “meeting of artistic minds” that includesaffective, ethical, and creative encounters between writers, readers, and researchers.
Consumer Chronicles
Since its 19th century beginnings, the consumer revolution, extending market forces into every area of social and private life, has been perceived as a challenge to core elements in French culture, such as traditional artisan crafts and small businesses serving local communities. Cultural historians and sociologists have charted the increasing commercialisation of everyday life over the 20th century, but few have paid systematic attention to the crucial testimony provided by the authors of narrative fiction. This book rectifies this omission by means of close readings of a series of novels, selected for their authentic portrayal of consumer behaviour, and analysed in relation to their social, cultural and historical contexts.
Travel and Drugs in Twentieth-Century Literature
This book examines the connections between two disparate yet persistently bound thematics -- mobility and intoxication -- and explores their central yet frequently misunderstood role in constructing subjectivity following the 1960s. Emerging from profound mid-twentieth-century changes in how drugs and travel were imagined, the conceptual nexus discussed sheds new light on British and North American responses to sixties counterculture. With readings of Aldous Huxley, William Burroughs, Alex Garland, Hunter S. Thompson, and Robert Sedlack, Banco traces twin arguments, looking at the ways travel is imagined as a disciplinary force acting upon the creative, destabilizing powers of psychedelic in...
Women Intellectuals in Post-68 France
Accounts of public intellectuals in France and French feminism have focused on a specific set of women thinkers overlooking some major women intellectuals. This book aims redresses this balance by studying these forgotten intellectuals creating a cultural and theoretical re-evaluation of the gendered phenomenon of the public intellectual in France.
Retranslating Joyce for the 21st Century
The essays in Retranslating Joyce for the 21st Century straddle the disciplines of Joyce studies, translation studies, and translation theory. The newest scholarly developments in these fields are well reflected in recent retranslations of Joyce’s works into Italian, Portuguese, French, Hungarian, Dutch, Turkish, German, South Slavic, and many other languages. Joyce critics and Joyce translators offer multi-angled critical attention to the issues of translation and retranslation, enhanced by their diverse linguistic and cultural backgrounds and innovative methodologies. Because retranslations of Joyce have also exerted significant influence on target language cultures, students and readers of Joyce and, more broadly, of modernist and world literature, will find this book highly relevant to their appreciation of literature in translation.
