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Ragamala Paintings Have A Special Significance In The World Of Art, Which Has Not So Far Been Fully Realised. They Not Only Display Their Own Technique And Art Of Colour And Line But Also Express, Interpret And Exhibit The Soul/Spirit And Beauty Of Another Art, The Art Of Music, The Art Of Svara-Laya And Cultivated/Cultured Voice. Music Was Considered To Be Of Divine Origin And Was Supposed To Possess The Property Of Evoking An Ecstatic State Of Mind Or Mood, Called Rasa-Anubhuti, In The Musician As Well As The Listerner. This Conception Of Rasa Is The Basis Of All Art In India. The Sadhakas (Practitioners) Devised Some Formulas In Order To Capture And Comprehend The Divine Quality Of Music ...
The Present Monograph Seeks To Record The Place And Development Of Elephant Symbol In The Mythology And The Art Of India Over A Period Of 5000 Years. It Is Amazing As To How Strikingly A Unity In Diversity In Most Indian Religions Is Displayed Through This Symbol. Elephant Form Has Been Used As A Common Denominator In The Folk As Well As The Religious Cults But Having Different Impacts. The Wide Spectrum Of Indian Culture Contains Various Colours Of Different Intensity. Different Kinds Of People, Races, Languages, Religions And Traditions Made Indian Culture Vital And Colourful. The Elephant Rotates With Every Colour Of The Spectrum. How The Animal Impressed The People Through The Ages Is So...
This anthology is a collective endeavor of scholars from India and Pakistan devoted to Sufi mystics, literature and shrines with a detailed introduction. The essays explore the methods adopted by the Punjab Sufis to popularize the mystic ideology and praxis in the medieval socio-cultural milieu. These writings also delve into the different genres of Sufi literature, both in the elite and vernacular languages, intending to appreciate the nuances of Punjab Sufism. Apart from the architectural features of the Sufi shrines, the anthology attempts to illumine the organic linkages between these institutions and the Punjabis and, thus, underscore the Sufi non-communitarian devotion as a primary ingredient of the Punjabi cultural fusion. This title is co-published with Aakar Books. Print editions not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)
On the erstwhile kingdom of Jammu.
"Identifies and examines various trajectories of exclusion at both macro and micro levels in India"--
Sufism in India and Central Asia is an attempt to put into perspective the relevance of Sufism – the concept and teaching, and to provide a realistic assessment of its role in India and Central Asia. The people of these regions with different ethnic backgrounds, cultures and languages have been intermingling for many centuries, as seen in the cross-current exchanges of religious ideas and belief. The word Sufism, popularly known as mysticism is most likely derived from the Arabic word suf (meaning “wool”), more specifically it means “the person wearing ascetic woollen garments.” Sufism is deeply rooted in Islam and its development began in the late 7th and 8th centuries. The present volume is an attempt to look for answers to questions in relation to Sufism in India and Central Asia and to evaluate its relevance in the contemporary period. A group of distinguished scholars from India and Central Asia have contributed papers to this volume. This volume will be useful to students and researchers working on social and cultural aspects of India and Central Asia.
This book seeks to reconstruct the past of undivided Panjab during five medieval centuries. It opens with a narrative of the efforts of Turkish warlords to achieve control in the face of tribal resistance, internal dissensions and external invasions. It examines the linkages of the ruling class with Zamindars and Sufis, paving the way for canal irrigation and agrarian expansion, thus strengthening the roots of the state in the region. While focusing on the post-Timur phase, it tries to make sense of the new ways of acquiring political power. This work uncovers the perpetual attempts of Zamindars to achieve local dominance, particularly in the context of declining presence of the state in the...
This book reconstructs the historical transition in the undivided Panjab during the sixteenth and seventeenth centuries. It shows that the assertion of Mughal and Afghan suzerainty faced sustained resistance from local elements, particularly the autonomous tribes and hill chiefdoms. In central plains, Dulla Bhatti mobilized the toilers of his ancestral domain and, leading a relentless fight against the Mughal oppression, became an abiding symbol of resistance in the collective memory. The multicultural legacy of Panjab evolved through diverse strands of spirituality. The jogis, wedded to monastic discipline, supernatural abilities and land grants, gained acceptance through their exertions fo...