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Papers presented at the Seminar: Alternative Global Futures, held at Kolkata during 5-6 March 2003 and the Seminar: State, Nation and Democracy : Global Politics in the 21st Century, held at Kolkata during 9-10 March 2004
Vols. 1- include the association's Annual report, 1939-
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The book is a comprehensive critical history of women performers in Indian theatre and dance of the colonial and postcolonial periods. Its underlying premise is that one cannot evaluate performance in the Indian context without looking at dance and theatre together, unlike the course taken by traditional scholarship. Issues of sexuality and colonialism, and culture and society come together in this study to provide a holistic account of women performers in India.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them alo...
The study of technical treatises in Indian art has increasingly attracted much interest. This work puts forward a critical re-examination of the key Indian concepts of painting described in the Sanskrit treatises, called citrasutras. In an in-depth and systematic analysis of the texts on the theory of Indian painting, it critically examines the different ways in which the texts have been interpreted and used in the study of Indian painting, and suggests a new approach to reading and understanding their concepts. Contrary to previous publications on the subject, it is argued that the intended use of such texts as a standard of critique largely failed due to a fundamental misconceptualization ...
The first ever collection of Jyotirmoyee Devi's short stories in an English translation from the original Bengali spans forty years of the author's career. Her interests ranged from the feudal world of the princely state of Jaipur, to East Bengal at the time of Partition, to the urban world of our cities. The stories reflect her concern with many issues painfully relevant even today: how traditional cultures try to cope with change and how individuals navigate their way between the old and the new; the causes of female infanticide; women caught in the crossfire of communalism and the commodification of women in various ways. Humane yet unsentimental, sometimes quite stark, the author is extraordinarily modern in tone and style. Her vision shows us a host of characters, often caught between the past and the future, the home and the world outside.
In Indian context.