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Beyond Fingal's Cave
Demonstrates the profound impact of The Poems of Ossian on composers of the Romantic Era and later: Beethoven, Schubert, Mendelssohn, Brahms, Massenet, and many others. Beyond Fingal's Cave: Ossian in the Musical Imagination is the first study in English of musical compositions inspired by the poems published in the 1760s and attributed to a purported ancient Scottish bard named Ossian. From around 1780 onwards, the poems stimulated poets, artists, and composers in Europe as well as North America to break away from the formality of the Enlightenment. The admiration for Ossian's poems -shared by Napoleon, Goethe, and Thomas Jefferson - was an important stimulus in the development of Romantici...
Opera as Institution
This volume brings together ten essays focusing on the diversity of operatic institutions, their protagonists, and historical fortunes in Europe from 1730 to 1917. Its aim is not to understand operatic institutions as locally distinct and isolated organizations, but rather to perceive them as a part of a historically fluctuating, transnational network: a network that was shaped among other things by individual professionals and groups in the opera business (and beyond), as well as by specific socio-cultural and political surroundings. The volume offers new perspectives on a wide range of topics, including networks of cultural exchange, singers as agents in shaping institutional structures, and the influence of socio-cultural, diplomatic, and political factors on operatic production across international borders.
Sasha Sokolov: The Life and Work of the Russian “Proet”
Martina Napolitano explores the poetics of one of the most significant Russian authors of the 20th century. Sasha Sokolov’s oeuvre represents a milestone in the development of Russian literature; his legacy can be traced in most prose and poetry appearing in post-Soviet Russia. Taking as point of departure the studies and analyses written so far and considering the new suggestions contained in Sokolov’s last published book Triptych (2011), Napolitano further examines the keystones and the theoretical framework that arise from a close reading of Sokolov’s works, trying to systematize the findings into what can be considered as a structured authorial theory of literary creation. The stud...
1837
1837 was a critcal moment in Russia's history. The year's noteworthy occurrences extend from the realms of culture, religion, and ideas to those of empire, politics, and industry. This book argues that the 1830s in Russia were a period of dynamism and culture, and that 1837 was pivotal for the country's entry into the modern age.
The Oxford Handbook of Shakespeare and Music
"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert ha...
Cercando l'opera russa
Il libro di Anna Giust è vincitore della seconda edizione del “Premio per la ricerca in Discipline Musicologiche” creato dagli Amici della Scala e inserito nel progetto “Together for culture”. Hanno aderito 39 università, con 146 tra docenti e coordinatori di dottorato e la quasi totalità dei giovani addottorati che, nei due anni accademici 2011 e 2012, hanno discusso una dissertazione in ambito musicologico. Il premio è stato assegnato da una commissione internazionale di musicologi, composta da Dinko Fabris, Philip Gossett e Antonio Rostagno.
Diplomacy and the Aristocracy as Patrons of Music and Theatre in the Europe of the Ancien Régime
This volume explores the dense networks created by diplomatic relationships between European courts and aristocratic households in the early modern age, with the emphasis on celebratory events and the circulation of theatrical plots and practitioners promoted by political and diplomatic connections. The offices of plenipotentiary ministers were often outposts providing useful information about cultural life in foreign countries. Sometimes the artistic strategies defined through the exchanges of couriers were destined to leave a legacy in the history of arts, especially of music and theatre. Ministers favored or promoted careers, described or made pieces of repertoire available to new audiences, and even supported practitioners in their difficult travels by planning profitable tours. They stood behind extraordinary artists and protected many stage performers with their authority, while carefully observing and transmitting precious information about the cultural and musical life of the countries where they resided.
20/Venti. Nuovi studi sulla cultura russa e sovietica degli anni Venti del XX secolo
Il volume raccoglie saggi dedicati alla cultura russa e sovietica degli anni Venti del XX nati nella cornice di 20/Venti, laboratorio di ricerca permanente, aperto al contributo di studiose e studiosi di diverse generazioni. I temi di questo volume spaziano dal mondo teatrale e musicale al dibattito intellettuale e propagandistico sulla stampa, dalle opere di autori come Pasternak, Gor’kij, Remizov, Platonov, Bulgakov, alla rilettura dell’eccezionale decennio postrivoluzionario sotto il prisma di epoche e latitudini differenti. DOI: 10.13134/979-12-5977-308-1
