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Fablesque
A hybrid-genre carnivalesque of trauma and rebirth, Fablesque harnesses the power of old tales to dispel the disenchantments of women and animals in the #MeToo era. Blending fiction and myth, personal essay, prose poetry and verse, and spanning scales from local to celestial, chanelling voices of the voiceless and the mighty, Fablesque speaks to the apocalyptic moment of the present. Harnessing folktale, fairy tale, and collage, the poems embrace constraint as a starting point for liberating new content and for addressing constructions and intersections of gender, race, power, and time
H & G
Fiction. Asian & Asian American Studies. Women's Studies. In this hybrid novella of trauma and survival, Anna Maria Hong re-imagines and extends the tale of Hansel and Gretel, breaking its received patterns of abandonment and abuse to set G. to wander a world racialized and gendered by power dynamics at every turn. Survivor, artist, hero, G.'s decisive action at the Witch's oven becomes the kernel of a new identity, independent and resilient, capable of transforming cruel stories into a cunning, masterful feminist bildungsroman. "In H & G, Anna Maria Hong brilliantly re-visions the 'Hansel and Gretel' fairytale for the post-post-modern 21st century. Or explodes it, producing a text brimming with biting wit, feminist insight, psychological incisiveness, and a hybrid narrative daring that turns genre on its head. G., a 'Korean American fraülein' who is 'sick of the high road' is willing to tear the whole fantasy edifice of our illusions down as she journeys toward deeper truths, and thankfully, she and H. take us along for their sometimes-frightening, always enlightening rides." --John Keene
Fairy Tale Review
This issue of Fairy Tale Review focuses on fairy tales for adults.
Growing Up Asian-Amer
Stories of childhood, adolescence and coming of age in America, from the 1800's to the 1900's -- by 32 Asian-American writers.
Insomnia and the Aunt
Fiction. Literary Nonfiction. Cross-Genre. Art. Asian American Studies. Tan Lin's INSOMNIA AND THE AUNT is an ambient novel composed of black and white photographs, postcards, Google reverse searches, letters, appendices, an index to an imaginary novel, reruns, and footnotes. The aunt in question can't sleep. She runs a motel in the Pacific Northwest. She likes watching Conan O'Brien late at night. She may be the narrator's aunt or she may be an emanation of a TV set. Structured like everybody's scrapbook, and blending fiction with nonfictional events, INSOMNIA AND THE AUNT is about identities taken and given up, and about the passions of an immigrant life, rebroadcast as furniture. Ostensibly about a young man's disintegrating memory of his most fascinating relative, or potentially a conceptualist take on immigrant literature, it is probably just a treatment for a prime-time event that, because no one sleeps in motels, lasts into the late night and daytime slots.
Best American Poetry 2018
The 2018 edition of the Best American Poetry—“a ‘best’ anthology that really lives up to its title” (Chicago Tribune)—collects the most significant poems of the year, chosen by Poet Laureate of California Dana Gioia. The guest editor for 2018, Dana Gioia, has an unconventional poetic background. Gioia has published five volumes of poetry, served as the Chairman of the National Endowment for the Arts, and currently sits as the Poet Laureate of California, but he is also a graduate of Stanford Business School and was once a Vice President at General Foods. He has studied opera and is a published librettist, in addition to his prolific work in critical essay writing and editing literary anthologies. Having lived several lives, Gioia brings an insightful, varied, eclectic eye to this year’s Best American Poetry. With his classic essay “Can Poetry Matter?”, originally run in The Atlantic in 1991, Gioia considered whether there is a place for poetry to be a part of modern American mainstream culture. Decades later, the debate continues, but Best American Poetry 2018 stands as evidence that poetry is very much present, relevant, and finding new readers.
Hum
In May’s debut collection, poems buzz and purr like a well-oiled chassis. Grit, trial, and song thrum through tight syntax and deft prosody. From the resilient pulse of an abandoned machine to the sinuous lament of origami animals, here is the ever-changing hum that vibrates through us all, connecting one mind to the next. “Linguistically acrobatic [and] beautifully crafted. . . [Jamaal May's] poems, exquisitely balanced by a sharp intelligence mixed with earnestness, makes his debut a marvel.” —Publishers Weekly “The elegant and laconic intelligence in these poems, their skepticism and bent humor and deliberately anti-Romantic stance toward experience are completely refreshing. Af...
Age of Glass
Poetry. "'The engine of alchemy / was rage. The small man's history of winning / was long but irrelevant,' remarks Anna Maria Hong midway through AGE OF GLASS. This caustic suite of ludic sonnets upcycles old stories--myths, fairytales, fables, clichés--into bright, prismatic spells for the end of days. 'Slant reuses / the cant of the box,' the canny speaker incants. 'A palindrome pulse / recalibrates luck.' Open this book to any page and you'll be met with lines so timely, so tonic, and so lexically dexterous you'll feel enchanted, however fleetingly, to cohabit this age."--Suzanne Buffam "Like the 17th-century Mexican poet Sor Juana Inés de la Cruz, whose sonnets echo and upstage a notab...
Asian American Poetry
A modern poetry anthology that includes the work of a second generation of Asian American poets who are taking the best of the prior generation, but also breaking conventional patterns.
Crazy Like Us
It is well-known that US culture is a dominant force and a world-wide phenomenon. But it is possible that its most troubling export has yet to be accounted for? America has been the world leader in generating new mental health treatments and modern theories: it exports psychopharmaceuticals and categorises disorders, thereby defining mental illness and health. The outcome of these efforts is just now coming to light: it turns out that the US has not only been changing the way the world talks about and treats mental illness -- it has been changing the mental illnesses themselves. Watters travels from China to Tanzania to bring home the unsettling conclusion that the virus is the US: as Americanized ways of treating mental illnesses are introduced, they are is fact spreading the diseases and shaping, if not creating, the mental illnesses of our time.
