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Anne Paolucci supplies a critical and appreciative analysis of Edward Albee, one of the leading American playwrights of the twentieth century. Along the way, she uses her familiarity with Dante and Pirandello to explore Albee s combination of humor and dark brooding, his religious transparencies, use of symbolism, the claustrophobic intensity of his emotional space, and his no-exit situations."
The migrant has been designated the central or defining figure of the 20th century. Yet, for much of this period, research and theory have centered on adult men as representative, ignoring women's part in international migration. Weaving together history, theory, and immigrant women's own words, Memories of Migration reveals women's multifaceted participation in the mass migrations from eastern and southern Europe to the United States at the turn of the century. By focusing on women's responses to Americanization organizations, coethnic community networks, and income-producing opportunities, this book provides rich insight into the sources of immigrant women's distinct fates in America.
Focuses on the conservative academic views, practices and political commitment of Henry Paolucci, covering primarily the decades between 1960 and 1980. A major chapter is the campaign of 1964, when he ran against Bobby Kennedy and Kenneth Keating for U.S. Senate on the Conservative Party line.
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In what is considered to be a classic in the field, (From Tension to Tonic: The Plays of Edward Albee) Paolucci here covers the plays that followed, up to Occupant. In Edward Albee: The Later Plays the author's close analysis employs both innovative and traditional critical approaches howeverthe usual categories simply will not work well in dealing with the "Absurd", where structure, characterization, language, and theme have given way to a single moment of crisis depicted with laser-like intensity. Rich comparisons with other works abound and give Paolucci's conclusions depth and solidity with unexpected insights in to her approach as a critic.
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Study of self-consciousness in Hegel and Shakespeare.