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Experiences of Oil
"Experiences of Oil" suggests that there are shared life experiences across oil nations. While oil and its derivatives create conditions that affect most of the planet's beings, this anthology treats contemporary art practices as the starting point for looking more closely at human experiences of living in so-called 'petrostates'. Individual citizens and inhabitants of oil exporting countries are prone to a state of internal conflict, key components of which are the untangling of privileges and suffering and the effort to understand individual and collective responsibilities and agencies. Oil nations are inhabited by a large number of people who do not work directly in the oil industry. What...
Self-organised
"Exploring one of the most influential methods of contemporary cultural production, Self-Organised takes a broad view on the matter. Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America to how self-organisation today oscillates between the self and the group, self-imposed bureaucratisation and flexibilism, aestheticisation and activism. The contributors identify now as a crucial moment to propose ways forward for parallel initiatives and institutions alike: from de-organisation and waiting, to rupture and coexistence of aesthetics and politics. However, what they all seem to share is a refreshing search for critical platforms of citizenship, harnessing self-determination in the wake of neo-liberal mainstreaming and right-wing populism alike." --> z ov.
Of(f) Our Times
Exhibitions are tightly intertwined with the processes of historiography, creating dynamic and plural relations among and beyond participants both human and nonhuman. They are able to connect different histories while writing history themselves, their reciprocal relationships making them a complex object and transformative agent in historical research. Although it is precisely these abilities that have led to the current intense engagement with exhibition history, the question of what exhibition history as a practice and method entails remains largely under-discussed. As a collection of conversations, essays, artists? projects, and inserts, this book aims to draw attention to the effects of ...
Olivia Plender
As the first significant overview of the work by artist Olivia Plender, this monograph navigates through the evolving attitudes to historical and contemporary forms of communication and education that her research-based practice has explored for the last ten years. From the reappraisal of Plender's project Google Office (2010), in which artistic agency meets Liberation Management, to rethinking of the Open University as a model where the educational role of television and its relation to the public was reconfigured, her work is a critical envisioning of labor's extensive influence; addressing the work ethic embedded into mainstream educational systems during the industrial era, and the alter...
Plasticity of the Planet: On Environmental Challenge for Art and Its Institutions
Art's response to climate change: theoretical essays and comments from artists, curators and art scholars This publication--informed by French philosopher Catherine Malabou's conception of destructive plasticity--gathers theoretical essays and comments by artists, curators, art scholars and Malabou herself, reflecting on how contemporary art and its institutions may respond to the environmental crisis.
A Companion to Curation
The definitive reference text on curation both inside and outside the museum A Companion to Curation is the first collection of its kind, assembling the knowledge and experience of prominent curators, artists, art historians, scholars, and theorists in one comprehensive volume. Part of the Blackwell Companion series, this much-needed book provides up-to-date information and valuable insights on the field of curatorial studies and curation in the visual arts. Accessible and engaging chapters cover diverse, contemporary methods of curation, its origin and history, current and emerging approaches within the profession, and more. This timely publication fills a significant gap in literature on t...
Curating After the Global
What it means to be global—or to be local—in the context of artistic, curatorial, and theoretical knowledge and practice. In this volume, an international, interdisciplinary group of writers discuss what it means to be global—or to be local—in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of locality, geopolitical change, the reassertion of nation-states, and the violent diminishing of citizen and denizen rights across the globe. It has become commonplace to talk of a globalized art world and eve...
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Performa 13
The fifth volume in the acclaimed series by performance art historian RoseLee Goldberg, Performa 13 features projects from more than 120 of the leading artists working in performance today, in collaboration with more than 100 curators and arts institutions--works that broke down the boundaries between visual art, music, dance, poetry, fashion, architecture, graphic design and the culinary arts. Participating Performa 13 artists included Pawel Althamer, Malik Gaines, Martha Graham, Rashid Johnson, Joan Jonas, Christopher Knowles, Ryan McNamara, Alexandre Singh, C. Spencer Yeh and many others who premiered major new works. This catalogue presents documentation of the festival in photographs, scripts and storyboards, along with contributions from curators, writers and the artists themselves, elaborating on the themes of the festival. Performa 13 stands not only as a beautiful document of a remarkable biennial, but also an invaluable reference guide for the performance art of our time.
