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Brian Taylor - Company Portrait
  • Language: en

Brian Taylor - Company Portrait

  • Type: Book
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  • Published: 1980
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  • Publisher: Unknown

None

Brian Taylor
  • Language: en
  • Pages: 52

Brian Taylor

  • Type: Book
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  • Published: 2018
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  • Publisher: Unknown

None

Shakespeare Survey
  • Language: en
  • Pages: 240

Shakespeare Survey

Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948 Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of the previous year's textual and critical studies and of major British performances. The books are illustrated with a variety of Shakespearean images and production photographs. The current editor of Survey is Peter Holland. The first eighteen volumes were edited by Allardyce Nicoll, numbers 19-33 by Kenneth Muir and numbers 34-52 by Stanley Wells. The virtues of accessible scholarship and a keen interest in performance, from Shakespeare's time to our own, have characterised the journal from the start. For the first time, numbers 1-50 are being reissued in paperback, available separately and as a set.

Ovid's Changing Worlds
  • Language: en
  • Pages: 470

Ovid's Changing Worlds

  • Type: Book
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  • Published: 2001
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  • Publisher: OUP Oxford

Ovid's Changing Worlds looks at the four most important English imitations of the Metamorphoses in the English Renaissance: the translations of Arthur Golding and George Sandys, Spenser's Faerie Queene, and Michael Drayton's Poly-Olbion. It sheds new light on dealings with the classics in the period and shows that the emergence of English literature was a complex and fascinating process.

Shakespeare's Ovid
  • Language: en
  • Pages: 233

Shakespeare's Ovid

A comprehensive examination of Shakespeare's use of Ovid's epic poem, Metamorphoses.

Biographical information on Brian Taylor
  • Language: en

Biographical information on Brian Taylor

  • Type: Book
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  • Published: Unknown
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  • Publisher: Unknown

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The Cultural Uses of the Caesars on the English Renaissance Stage
  • Language: en
  • Pages: 168

The Cultural Uses of the Caesars on the English Renaissance Stage

  • Type: Book
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  • Published: 2016-03-16
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  • Publisher: Routledge

Caesarian power was a crucial context in the Renaissance, as rulers in Europe, Russia and Turkey all sought to appropriate Caesarian imagery and authority, but it has been surprisingly little explored in scholarship. In this study Lisa Hopkins explores the way in which the stories of the Caesars, and of the Julio-Claudians in particular, can be used to figure the stories of English rulers on the Renaissance stage. Analyzing plays by Shakespeare and a number of other playwrights of the period, she demonstrates how early modern English dramatists, using Roman modes of literary representation as cover, commented on the issues of the day and critiqued contemporary monarchs.

Connotations
  • Language: en
  • Pages: 364

Connotations

  • Type: Book
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  • Published: 1992
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  • Publisher: Unknown

None

Gothic Shakespeares
  • Language: en
  • Pages: 262

Gothic Shakespeares

  • Categories: Art
  • Type: Book
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  • Published: 2008-12
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  • Publisher: Routledge

In Gothic Shakespeares, Shakespeare is considered alongside major Gothic texts and writers - from Horace Walpole, Ann Radcliffe, Matthew Lewis and Mary Shelley, up to and including contemporary Gothic fiction and horror film. This volume offers a highly original and truly provocative account of Gothic reformulations of Shakespeare, and Shakespeare’s significance to the Gothic.

Shakespeare's Poems
  • Language: en
  • Pages: 378

Shakespeare's Poems

Shakespeare has never been more ubiquitous, not only on the stage and in academic writing, but in film, video and the popular press. On television, he advertises everything from cars to fast food. His birthplace, the tiny Warwickshire village of Stratford-Upon-Avon, has been transformed into a theme park of staggering commercialism, and the New Globe, in its second season, is already a far bigger business than the old Globe could ever have hoped to be. If popular culture cannot do without Shakespeare, continually reinventing him and reimagining his drama and his life, neither can the critical and scholarly world, for which Shakespeare has, for more than two centuries, served as the central t...