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Gil Vicente: Three Discovery Plays: Auto da Barca do Inferno, Exortacao da Guerra, Auto da India
The three plays edited and translated in this volume are strongly linked to what we now think of as the Portuguese Discoveries. All three are fundamentally concerned with the expansion of Portugal in Africa and India through either crusade or commerce.
In the Doorway of All Worlds
The thirteenth-century poet Gonzalo de Berceo is the first named author of Old Spanish letters and the most prolific contributor to the emergence of the body of learned vernacular verse known as the mester de clerecía. In the Doorway of All Worlds focuses on the four hagiographies Berceo produced as a unified body of poetic expression and world-building. Robin M. Bower traces the poet’s intricate juxtaposition of contraries to shed light on a poetic world that will innovate a deceptively simple poetic vernacular and elevate its capacity to express nuance, power, and mystery. The book examines the entanglements that bind formal and lexical choices, the inscription of performance sites and ...
Conquerors, Brides, and Concubines
Conquerors, Brides, and Concubines investigates the political and cultural significance of marriages and other sexual encounters between Christians and Muslims in the Iberian Peninsula, from the Islamic conquest in the early eighth century to the end of Muslim rule in 1492. Interfaith liaisons carried powerful resonances, as such unions could function as a tool of diplomacy, the catalyst for conversion, or potent psychological propaganda. Examining a wide range of source material including legal documents, historical narratives, polemical and hagiographic works, poetry, music, and visual art, Simon Barton presents a nuanced reading of the ways interfaith couplings were perceived, tolerated, ...
The Poetics of Speech in the Medieval Spanish Epic
'Matthew Bailey's work on medieval Hispanic epic poetry is most impressive. It is a unique contribution to our knowledge of the Old Spanish epic and offers a highly original advance in its field. This book will, of course, primarily be of interest to Hispano-Medievalists, but given its enlightened and far-reaching views - based on very wide reading - it will also be of significant interest to all medievalists and folklorists, regardless-of specialty'-Samuel Armistead, Department of Spanish, University of California, Davis The Poetics of Speech in the Medieval Spanish Epic explores the composition of manuscript texts in thirteenth-century Spain. Of the vernacular epic poems originating with t...
A Pilgrim in Spain
Christopher Howse, a writer/assistant editor at The Daily Telegraph, finds that being a pilgrim in Spain is a bigger, more surprising experience than he suspected.
The Latin Qur’an, 1143–1500
In 1143 Robert of Ketton produced the first Latin translation of the Qur’an. This translation, extant in 24 manuscripts, was one of the main ways in which Latin European readers had access to the Muslim holy book. Yet it was not the only means of transmission of Quranic stories and concepts to the Latin world: there were other medieval translations into Latin of the Qur’an and of Christian polemical texts composed in Arabic which transmitted elements of the Qur’an (often in a polemical mode). The essays in this volume examine the range of medieval Latin transmission of the Qur’an and reaction to the Qur’an by concentrating on the manuscript traditions of medieval Qur’an translati...
Rubens and the Dominican Church in Antwerp
This book is about the Dominican church in Antwerp (today St Paul’s). It is structured around three works of art, made or procured by Peter Paul Rubens: the Fifteen Mysteries of the Rosary cycle (in situ), Caravaggio’s Rosary Madonna (Vienna) and the Wrath of Christ high altarpiece (Lyon). Within the artist’s lifetime, the church and monastery were completely rebuilt, creating one of the most spectacular sacred spaces in Northern Europe. In this richly illustrated book, Adam Sammut reconceptualises early modern churches as theatres of political economy, advancing an original approach to cultural production in a time of war. Using methodologies at the cutting edge of the humanities, the place of St Paul’s is restored to the crux of Antwerp’s commercial, civic and religious life.
Manifest Perdition
Shipwreck, death, and survival; terror, hunger, and salvation -- these are the experiences of those onboard merchant Portuguese ships in the sixteenth and seventeenth centuries. In this book we see how the dramatic, compelling, and often gory accounts of shipwreck, collected in Historia Tragico-Maritima (1735-36), or The Tragic History of the Sea, challenge state-sponsored versions of events. Manifest Perdition reveals the important place of these stories in literary history and shows -- for the first time -- how they serve as both a product of and a resistance to Iberian expansion and colonialism. Book jacket.
