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Heralds and Heraldry in the Middle Ages
Heralds and Heraldry in the Middle Ages is an Inquiry into the Growth of the Armorial Function of Heralds.
Drake in England
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Grammar of English Heraldry
This little volume was first published in the Cambridge Manuals of Science and Literature in 1913. This 1953 reissue was lightly revised and put in a new format by Anthony Wagner. It begins with the definition and origin of heraldry, then explains the terms and devices and shows how individuals and families marshalled and differenced their arms.
Pedigree and Progress
Shows pedigrees important in world history including Greek, Egyptian, Armenian, Roman Empire, Anglo-Saxon, European, British, American Colonists, and many others.
The Performance of Self
Medieval courtiers defined themselves in ceremonies and rituals. Tournaments, Maying, interludes, charivaris, and masking invited the English and French nobility to assert their identities in gesture and costume as well as in speech. These events presumed that performance makes a self, in contrast to the modern belief that identity precedes social performance and, indeed, that performance falsifies the true, inner self. Susan Crane resists the longstanding convictions that medieval rituals were trivial affairs, and that personal identity remained unarticulated until a later period. Focusing on England and France during the Hundred Years War, Crane draws on wardrobe accounts, manuscript illuminations, chronicles, archaeological evidence, and literature to recover the material as well as the verbal constructions of identity. She seeks intersections between theories of practice and performance that explain how appearances and language connect when courtiers dress as wild men to interrupt a wedding feast, when knights choose crests and badges to supplement their coats of arms, and when Joan of Arc cross-dresses for the court of inquisition after her capture.
