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Writing Anthropology
In Writing Anthropology, fifty-two anthropologists reflect on scholarly writing as both craft and commitment. These short essays cover a wide range of territory, from ethnography, genre, and the politics of writing to affect, storytelling, authorship, and scholarly responsibility. Anthropological writing is more than just communicating findings: anthropologists write to tell stories that matter, to be accountable to the communities in which they do their research, and to share new insights about the world in ways that might change it for the better. The contributors offer insights into the beauty and the function of language and the joys and pains of writing while giving encouragement to sta...
Anthropology off the Shelf
In Anthropology off the Shelf, leading anthropologistsreflect on the craft of writing and the passions that fuel theirdesire to write books. First of its kind volume in anthropology in which prominentanthropologists and 3 respected professionals outside thediscipline follow the tradition of the “writers onwriting” genre to reflect on all aspects of the writingprocess Contributors are high-profile in anthropology and many have astrong presence outside the field, in popular culture Unique in its format: short essays, revealing andstraightforward in content and writing style
Writing Anthropologists, Sounding Primitives
Writing Anthropologists, Sounding Primitives re-examines the poetry and scholarship of three of the foremost figures in the twentieth-century history of U.S.-American anthropology: Edward Sapir, Margaret Mead, and Ruth Benedict. While they are widely renowned for their contributions to Franz Boas’s early twentieth-century school of cultural relativism, what is far less known is their shared interest in probing the representational potential of different media and forms of writing. This dimension of their work is manifest in Sapir’s critical writing on music and literature and Mead’s groundbreaking work with photography and film. Sapir, Mead, and Benedict together also wrote more than o...
Anthropology and Autobiography
First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Up, Down, and Sideways
Using a “vertical slice” approach, anthropologists critically analyze the relationship between undemocratic uses and abuses of power and the survival of the human species. The contributors scrutinize modern institutions in a variety of regions—from Russia and Mexico to South Korea and the U.S. Up, Down, and Sideways is an ethnographic examination of such phenomena as debtculture, global financial crises, food insecurity, indigenous land and resource appropriation, the mismanagement of health care, andcorporate surrogacy within family life. With a preface by Laura Nader, this isessential reading for anyone seeking solid theories and concrete methods to inform activist scholarship.
A Very Personal Method
The range of Mary Douglas's interests had few parallels amongst the leading social anthropologists of the 20th century. Although inspired by the classics of the discipline of anthropology, her theories were idiosyncratic and her applications of them never predictable. By bringing together writings in different genres that she composed over the entirety of her career, this volume demonstrates her distinctive style of thought and expression. The topics she addressed ranged freely between family and friends, the demands of domestic routine, her belonging to the Roman Catholic Church, and cultural similarities and differences on a global scale. In her method and style, as much as in her explicit...
Writing Anthropologists, Sounding Primitives
Writing Anthropologists, Sounding Primitives offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early twentieth-century U.S.-American cultural anthropologists.
The Anthropologist as Writer
Writing is crucial to anthropology, but which genres are anthropologists expected to master in the 21st century? This book explores how anthropological writing shapes the intellectual content of the discipline and academic careers. First, chapters identify the different writing genres and contexts anthropologists actually engage with. Second, this book argues for the usefulness and necessity of taking seriously the idea of writing as a craft and of writing across and within genres in new ways. Although academic writing is an anthropologist’s primary genre, they also write in many others, from drafting administrative texts and filing reports to composing ethnographically inspired journalism and fiction.
