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The Bronzes of Rodin
This is a catalogue raisonné of Rodin's bronzes. There are 455 entries with over a thousand pictures in 2 volumes. Each work lists the inventory number, the technique and a bibliography. Information about provenance and historical context along with comparison to other works is also included. The research is meticulous and the cross-references invaluable.
Auguste Rodin
I have drawn all my life. I began withdrawing: I have never stopped drawing.--Auguste Rodin
Auguste Rodin
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Rodin
"With more than 350 pictures, many never before seen, Rodin reveals in great beauty and detail the genius of the man known as the father of modern sculpture. The stories of Rodin's sculptures are told through each stage of development from plaster casts to the glorious end result"--
Rodin
Une étude détaillée et largement illustrée des 227 figures qui ont servi de point de départ à l'oeuvre de Rodin. Un dépliant couleur présente l'ensemble des fontes à travers le monde et un dessin situe la totalité des figures. Un ouvrage de référence sur cette oeuvre grandiose (8 tonnes de bronze, plus de 6 mètres de haut).
Camille Claudel & Rodin
Discusses and lists Claudel's work at the Rodin Museum.
Sculpture and the Museum
The Henry Moore Institute is a world-recognised centre for the study of sculpture in the heart of Leeds. An award-winning exhibitions venue, research centre, library and sculpture archive, the Institute hosts a year-round programme of exhibitions, conferences, lectures, research, and publications that aim to expand the under-standing and scholarship of historical and contemporary sculpture. It is a part of The Henry Moore Foundation, which was set up by Moore in 1977 to encourage appreciation of the visual arts, especially sculpture. Sculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the modern pe...
Auguste Rodin, Drawings and Watercolors
This exceptional publication includes nearly 200 works, the majority of which come from the Musée Rodin in Paris. Well-produced and meticulously documented, the catalogue entries are further illuminated by scores of photographs of Rodin's celebrated sculptures (including such masterworks as the "Balzac" -- in Steichen's celebrated photograph -- the headless "Striding Man", and the disturbingly powerful "Gates of Hell") of the sculptor himself throughout his career, and many of the important personalities with whom he was intimate, such as Rainer Maria Rilke, and Count Harry Kessler. Of special interest are comparative photographs of the actual structures that accompany the famous drawings of the French cathedrals. The catalogue entries of impeccable scholarship are here interwoven with the illustrations to create a stimulating biography of a master sculptor and an unique human being. -- From publisher's description.
Sculpting Abroad
Sculpting abroad analyses and reflects upon the international mobility of sculptors and their work in the nineteenth century. The creation of nation-states then coincided with an increasing international focus by artists, their commissioners, sellers, buyers and critics. Sculptors were encouraged to study abroad, and recognized for their experience and success abroad. As they were very much dependent on commissions, they had to travel to provide for their revenues. At the same time they were expected to represent the nation, and showcase their 'national school' with its specific characteristics. This volume reflects upon the theoretical and practical implications of the many aspects of transnationality, travel and (cultural) mobility on nineteenth-century sculptors, their work and their careers, by addressing the role of, among others, education, execution, commissions, exhibitions, art criticism and the art market. The main focus is on French, Belgian, Italian, British and American sculptors and their works, and well-known as well as lesser known sculptors, throughout general articles as well as specific case studies.
Rodin and Vienna
A corresponding member of the Vienna Secession, French sculptor Auguste Rodin submitted works for its exhibitions beginning in 1898. The ninth Secession exhibition marked the high point of his involvement, with many of his major works prominently displayed, including Eve, The Age of Iron, The Burghers of Calais, and Rodin's monument to the great French writer Honoré de Balzac--now considered among his greatest works though met at the time with considerable disapproval. Rodin and Vienna examines the sculptor's influence on Austrian art and traces the history of the annual Secession shows and Rodin's many contributions. Part of the Belvedere Gallery's collection ever since, these masterpieces are here joined by later additions and selected works on loan in order to illustrate the way Rodin wrestled with form. Individual chapters by selected Rodin experts place works into their rightful contexts and demonstrate how the artist made use of his contacts in bourgeois society and intellectual circles to fulfill his ambitions and further his career.
