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by Elisabeth Mann Borgese Founder and Honorary President International Ocean Institute Adalberto Vallega has been, for decades, a master and great teacher of integrated coastal management and Mediterranean cooperation. This new book, of an almost en cyclopaedic scope, is a most original contribution to the rapidly growing literature on the subject, of equal value to the academic community which will greatly appreciate the theoretical, historic and philosophical underpinning of the work, and to the practi tioner, the planner, regulator and manager, who will find in these pages most useful "checklists" for his duties and responsibilities. Vallega perceives the need for Integrated Coastal Area ...
This topical book examines ocean governance and calls for close co-operation between science and policy. Adalberto Vallega uniquely considers the ocean as a spatial complex system which must be represented as a whole and argues that scientific approaches must change to achieve progress and co-operation between science and policy.
This book constitutes the proceedings of the 25th Italian Conference on Geomatics for Green and Digital Transition, ASITA 2022, held in Genova, Italy, in June 2022. The 33 full papers included in this book were carefully reviewed and selected from 60 submissions. They were organized in topical sections as follows: Positioning, Navigation and Operational Geodesy; Data exploitation: services and tools; Geo(big)data, GeoAnalytics, AI and Decision Support; Agriculture and Forestry; Cultural Heritage and Landscape Analysis; Environmental Monitoring and Analysis; and Sustainable Development and Climate Change.
During the nineteenth century in Rome, three generations of the Castellani family created what they called “Italian archaeological jewelry,” which was inspired by the precious Etruscan, Roman, Greek, and Byzantine antiquities being excavated at the time. The Castellani jewelry consisted of finely wrought gold that was often combined with delicate and colorful mosaics, carved gemstones, or enamel. This magnificent book is the first to display and discuss the jewelry and the family behind it. International scholars discuss the life and work of the Castellani, revealing the wide-ranging aspects of the family’s artistic and cultural activities. They describe the making and marketing of the jewelry, the survey collection of all periods of Italian jewelry on display in the Castellani’s palatial store, and the Castellani’s activities in the trade of antiquities, as they sponsored excavations, and restored, dealt, and exhibited antiques. They also recount the family’s involvement in the cultural and political life of their city and country.
The book is an exploration, on both theoretical and empirical grounds, into the nature and the transformation of the state in the neoliberal era. Nowadays, a widespread crisis of legitimation affects the institutions and authority of the state; similarly, and especially after the Great Crisis of 2008 to present, the European project is increasingly questioned by populist and neo-nationalist forces, which politically advance in the state and society, and promote further coercive-oriented reconfiguration of state powers and apparatus. The ‘nationalist international’, the ‘new populists’ and/or the ‘rise of new international fascism’ are questions on the verge of international schol...
Die Autoren des Bandes fragen nach der Rolle der Bilder bei der Herausbildung einer Identitat des Jesuitenordens. Die Schaffung einer "jesuitischen Identitat" wird in den verschiedenen Beitragen als ein Ideal des Ordens verstanden, das uber alle ordensinternen Heterogenitaten hinweg zu vermitteln versucht wurde. Charakteristisch fur die Jesuiten war eine Kultur des Wandels in einer sich wandelnden Welt, einer permanenten individuellen Akkommodation und Neuerfindung, die mit einer Vielzahl von Identitaten verbunden war. Vor allem die enorme Mobilitat der Ordensmitglieder im Raum und in ihren Aufgaben und Handlungen ging mit Spannungen einher, die eine Neu- oder Umordnung tradierter Wissens- u...
Painting as Business in Early Seventeenth-Century Rome offers a new perspective on the world of painting in Rome at the beginning of the Baroque, from both an artistic and a socioeconomic point of view. Biased by the accounts of seventeenth-century biographers, who were often academic painters concerned about elevating the status of their profession, art historians have long believed that in Italy, and in Rome in particular, paintings were largely produced by major artists working on commission for the most important patrons of the time. Patrizia Cavazzini&’s extensive archival research reveals a substantially different situation. Cavazzini presents lively and colorful accounts of Roman artists&’ daily lives and apprenticeships and investigates the vast popular art market that served the aesthetic, devotional, and economic needs of artisans and professionals and of the laboring class. Painting as Business reconstructs the complex universe of painters, collectors, and merchants and irrevocably alters our understanding of the production, collecting, and merchandising of painting during a key period in Italian art history.