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This work offers a detailed analysis of the Slavic translation of a sixth-century Greek liturgical poem that is representative of the poetic genius of the best of the Byzantine melodes. The immediate goal has been to discover to what degree the poetic elements of the original text were reproduced in the translation. The analysis illuminates the question of the quality of the Slavic translations of Byzantine liturgical hymns. Text engl., teilw. Griech. U. makedon. Durchsuchbare elektronische Faksimileausgabe als PDF. Digitalisiert im Rahmen des DFG-Projektes Digi20 in Kooperation mit der BSB München. OCR-Bearbeitung durch den Verlag Otto Sagner.
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The Akathistos Hymn, the most famous work of Byzantine hymnography, has been enshrined in the Orthodox liturgy since the year 626, and its image of the Virgin Mary has exerted a strong influence upon Marian poetry and literature. Anonymous, undated and highly rhetorical, the hymn has presented a challenge to scholars over the years. This study has been undertaken by an innovative method. The approach brings new insights to the era which brought forth the hymn, and the metaphorical image of the Virgin becomes conceptually accessible to the modern-day reader. The investigation leads to the conclusion that the Council of Ephesus (431) constitutes the most likely historical context for the hymn's composition. The book will be of value to all scholars of early Byzantine and Marian studies.
The Orthodox Church is one of the three major branches of Christianity. There are over 300 million adherents throughout the world. The Orthodox Church is a fellowship of independent churches, which split form the Roman Church over the question of papal supremacy in 1054. The Orthodox adherents include people in: Greece, Georgia, Russia, and Serbia. There are an estimated one million members in the United States. This Advanced book explains the basic principles of Orthodox Christianity and describes in detail the holidays observed by the Orthodox Church. In addition, relevant book literature is presented in bibliographic form with easy access provided by title, subject and author indexes.
Since unification in 1990, Germany has seen a boom in the confrontation with memory, evident in a sharp increase in novels, films, autobiographies, and other forms of public discourse that engage with the long-term effects of National Socialism across generations. Taking issue with the concept of "Vergangenheitsbewältigung," or coming to terms with the Nazi past, which after 1945 guided nearly all debate on the topic, the contributors to this volume view contemporary German culture through the more dynamic concept of "memory contests," which sees all forms of memory, public or private, as ongoing processes of negotiating identity in the present. Touching on gender, generations, memory and p...
Russian poet Marina Tsvetaeva’s powerful poetic voice and her tragic life have often prompted literary commentators to treat her as either a martyr or a monster. Born in Russia in 1892, she emigrated to Europe in 1922, returned to the Soviet Union at the height of the Stalinist Terror, and committed suicide in 1941. Alyssa Dinega focuses on the poetry, rediscovering Tsvetaeva as a serious thinker with a coherent artistic and philosophical vision.
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Twelve groundbreaking essays show the varied and complex ways in which ideas about sexuality, gender, and the body have shaped and been influenced by Russian literature, history, art, and philosophy from the medieval period to the present day.