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This is a collaboration between 2 brothers, one in poetry, the other in music. collection of poems remembered by Calabrians in Canada. Also music of the southern Calabian tambourine.
Pillars of Lace is an eclectic collection of the finest writing by Italian-Canadian women. It is the first anthology of its kind in Canada. This anthology showcases excerpts of a variety of writing styles: poetry, short stories, film scripts, novels, personal memoirs, and journalism. Pillars of Lace is the perfect starting point for an introduction to and a taste of Italian-Canadian women writers. The material previously published or written in French or Italian has been translated into English. Many established, award-winning writers are represented: Maris Ardizzi, Angela Baldassarre, Carole David, Fiorells De Luca Calce, Isabella Colalillo-Katz, Mary di Michele, Caterina Edwards, Anna Foschi, Darlene Madott, Mary Melfi, Gianna Patriarca, Panny Petrone, Liliane Welch, Bianca Zagolin, Carmen Laurenza-Ziolkowski, and other recently and unpublished writers.
Publisher description
This unique look at learned and acquired cultures explores the power and weaknesses of society, especially as it applies to those of Italian heritage. A strong argument is made for ethnic, cultural, and political independence; the importance of failure in relation to culture is also stressed.
In November 1985, several writers, including Joseph Pivato, Antonio D'Alfonso, Pasquale Verdicchio and Dino Minni thought a national conference to take stock and discuss future directions might be a good idea. The Italian Cultural Centre graciously offered its premises. This collection of the proceedings contains the scholarly papers delivered.
Minor philofascist publications that appeared in those years are considered as well. Their editorial policy is woven with and presented against the background of the portentous events that shook the world and led to the Second World War."--BOOK JACKET.
This book is a cultural studies reading of Canadian culture and its security dimension during the Second World War and then later the Cold War. Kristmanson uses a wide variety of evidence to construct a provocative argument about the formation and maturity of the Canadian state during the time period other historians have characterized as Canada's evolution from colony to nation.
This collection of essays explores the literature of Italian immigrants in Canada and their children by focusing on the central role that themes of migration hold in their work. Addressing topics such as the oral roots of Canadian immigrant writing, the changing place of women in works of the Italian diaspora, and the persistent difficulties of translation, this work provides an international perspective on some of the most pressing questions in the study of literature today. In addition to Canadian works, the work of immigrant writers from Australia and other countries is also considered, producing nuanced observations of cultural differences and affinities.
In Nationalism from the Margins Patricia Wood offers a fresh approach to the study of immigration adaptation and collective and individual identity formation. In analysing a century of Italian migration to Alberta and British Columbia Wood documents a multicultural experience and vision of Canada that long preceded the official policy of 1971. She argues that nationalism is not one idea but a "relationship of voices, speaking from varying levels of political and social power, and to varying audiences." The Italian understanding of what it means to belong to Canada does not require the abandonment of ethnic identity but instead demonstrates the ways in which layers of identity intersect. Wood...
When Pier Giorgio Di Cicco first appeared on the Canadian literary scene in the early 1980s, he was immediately recognized as one of the most compelling voices of his generation. The Last Effort of Dreams is the first critical collection on Pier Giorgio Di Cicco and traces the steps of his career from different perspectives. The contributors, fellow poets and academics alike, ponder Di Cicco’s poetry in diverse ways: through reminiscence, by taking stock, and by focusing on individual texts and specific themes. What emerges is an intriguing composite picture of Di Cicco’s complex and unique identikit. The volume includes both scholarly analysis and testimonials by individuals who lived the literary history of which Di Cicco is a part. The inclusion of a bibliography of Di Cicco’s publications and of those about him makes this book a valuable tool for anyone approaching his works for the first time and anyone interested in contemporary North American minority literatures or contemporary Canadian literature.