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Theatre and Boxing
Theatre and Boxing focuses on a problem which is of paramount importance for any theatre practitioner and researcher: the actor’s believable body. This problem has been taken up by Stanislavski, Meyerhold, Artaud, Brecht, Decroux, Copeau, Grotowski, and many others. It is an essential hurdle for all who practice the theatrical craft or want to study it theoretically. This hurdle can be considered one of the foundations of theatre science and of the relationship between technique, politics and ethics. This book tells the story of a revolution in the work of the actor in the early- and mid-20th century, a period in which the focus of theatrical interest shifted from the emotions to the body....
Heart of Practice
Heart of Practice is a unique and invaluable insight into the workings of one of theatre’s true pioneers, presented by his closest collaborator. This book charts the development of Grotowski’s dramatic research through a decade of conversations with his apprentice, Thomas Richards. Tuscany’s ‘Workcenter of Jerzy Grotowski and Thomas Richards’ is the enduring legacy of a master teacher, director and theorist, and home to much of Grotowski’s most significant work. Interviewed by leading scholars, and offering his own intimate accounts, Richards gives a vivid and detailed view of the Workcenter’s evolution, providing: concrete illustration of the Workcenter’s distinctive creative practices rigorous discussion of over twenty years of world-renowned research previously unpublished performance photos privileged insight into what Grotowski considered to be the culmination of his life’s work.
The Post-traumatic Theatre of Grotowski and Kantor
Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.
The Cambridge Introduction to Theatre Directing
This Introduction is an exciting journey through the different styles of theatre that twentieth-century and contemporary directors have created. It discusses artistic and political values, rehearsal methods and the diverging relationships with actors, designers, other collaborators and audiences, and treatment of dramatic material. Offering a compelling analysis of theatrical practice, Christopher Innes and Maria Shevtsova explore the different rehearsal and staging principles and methods of such earlier groundbreaking figures as Stanislavsky, Meyerhold and Brecht, revising standard perspectives on their work. The authors analyse, as well, a diverse range of innovative contemporary directors, including Ariane Mnouchkine, Elizabeth LeCompte, Peter Sellars, Robert Wilson, Thomas Ostermeier and Oskaras Koršunovas, among many others. While tracing the different roots of directorial practices across time and space, and discussing their artistic, cultural and political significance, the authors provide key examples of the major directorial approaches and reveal comprehensive patterns in the craft of directing and the influence and collaborative relationships of directors.
Ardeth #01 (I - 2017)
Unlike the many magazines that revolve around the architectural world, Ardeth concerns neither with outcomes (architecture) nor with the authors (architects). Ardeth concerns instead with their operational work, i.e. projects. The shift from subjects (their good intentions, as taught in Universities and reclaimed in the profession) to objects (the products of design, at work within the social system that contains them) engenders an analytical and falsifiable elaboration of the complex mechanisms that an open practice such as design involves. Through a process of disciplinary redefinition, Ardeth explores the falsifiability of design hypotheses as the object that allows the project to scientifically confront errors and approximations.
Eleonora Duse and Cenere (Ashes)
The 1916 silent film Cenere (Ashes) features the great Italian actress Eleonora Duse (1858-1924) in her only cinematic role. In her meditative approach to her craft, she reprised for the screen all the "mother roles" she had created for the theater. Marking the film's 100th anniversary, this collection of essays brings together for the first time in English a range of scholarship. The difficulties involved in the making of the film are explored--Duse's perfectionism was too advanced for the Italian movie industry of the 1910s. Her work is discussed within the creative, political and historical context of the silent movie industry as it developed in wartime Italy.
Mimesis Journal vol. 13, n. 1
Performing Memory Through Dance. Anthropological Perspectives Dossier edited by Susanne Franco and Franca Tamisari Introduction Susanne Franco, Franca Tamisari An autoethnographic spiral: dancing "showerhead" Elizabeth Waterhouse Dancing with and for others in the field and postcolonial encounter Franca Tamisari Performing Salome in the Pacific. Three works by Yuki Kihara Susanne Franco Afterword Ann R. David Saggi "Voi non mi conoscete, ci scommetto!" Giro a vuoto (1960) di Laura Betti, tra cabaret letterario e riforma della canzone Benedetta Zucconi Artisanal inventiveness. The dynamics of rewriting in the plays of northern Italian puppeteers (19th-20th century) Francesca Di Fazio The sound and visual dramaturgy of Romeo Castellucci Carlo Fanelli The City as a Score: Dialoguing with the Ex-Ghetto Ebraico of Bologna through Museum Research and Choreographic Practice Silvia Garzarella, Sarah Minisohn L' Orfeo di Trisha Brown: il mito tra danza pura ed eloquenza mimica Aline Nari Re-enactment e Bildung: il caso etico de La reprise di Milo Rau Andrea Vecchia
Modernist Idealism
Italy at the Banquet of Nations: Hegel in Politics and Philosophy -- Italy's Modernist Idealism and the Artistic Reception of Schopenhauer -- Aesthetic Decadence and Modernist Idealism: Schopenhauer's Literary-Artistic Legacy -- Avant-Garde Idealism: The Ambivalence of Futurist Vitalism -- Occult Spiritualism and Modernist Idealism: Reanimating the Dead World -- Cinematic Idealism: Modernist Visions of Spiritual Vitality Mediated by the Machine.
