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This is the first book-length biography of Andrés Bello, the nineteenth-century Latin American intellectual, to appear in English. Bello was also a poet, a literary critic, and an influential statesman whose contributions to nation-building and Spanish American identity are widely recognized across the region. This work provides a comprehensive interpretation of Bello's work, gives an account of Bello's life based on new information from archives in four countries, and sheds new light on this critical period in Latin American history.
This anthology "decolonizes" the voices of Latin Americans who travel abroad and engage in cultural critiques of their homelands in counterpoint to foreigners' better known accounts of Latin America. The 17 contributions by North and South American academics examine--including entertaining first person accounts--the themes of constructing nations/a national identity post- independence, touring modernity, taking sides, and the art of living and working abroad. References include suggested films (e.g. Carmen Miranda: Bananas is My Business, 1994) as well as readings. Lacks an index. Annotation copyrighted by Book News Inc., Portland, OR
A broad historical panorama of the journalist/narrative interaction, exploring the impact of journalism and journalistic rhetoric on the development of Spanish American narrative.
This work examines the relationship between medievalism and colonialism in the 19th-century Hispanic American context through the striking case of the Creole Andrés Bello (1781-1865), a Venezuelan grammarian and politician, and his lifelong philological work on the medieval heroic narrative 'The Poem of the Cid'.
The Revolt of 1857 in India has so far largely been viewed as an event that was of interest to British and Indian scholars investigating the various consequences of British colonial rule in India. What has remained out of the focus of study during the last 150 years is the possible impact of the Revolt elsewhere, its so to say international dimension: what, in particular, was the reaction in Europe where elemental social and political transformations were underway. Whatever the varied nature of the reactions, the space given to the Revolt in many European newspapers and journals while it was in progress is certainly extensive. What is more, representations of and reflections on the Revolt appeared both during the event and for long after its suppression, above all in forms of popular fiction but also in historical accounts, letters, reminiscences and other forms of writing. The collection of essays in this volume ventures into this unexplored terrain and offers a first look at some of these European responses.
An examination of two fifteenth-century misogynist Iberian works.
A history of the global spread of vaccination during the Napoleonic Wars, when millions of children were saved from smallpox.
A Companion to Latin American Literature offers a lively and informative introduction to the most significant literary works produced in Latin America from the fifteenth century until the present day. It shows how the press, and its product the printed word, functioned as the common denominator binding together, in different ways over time, the complex and variable relationship between the writer, the reader and the state. The meandering story of the evolution of Latin American literature - from the letters of discovery written by Christopher Columbus and Vaz de Caminha, via the Republican era at the end of the nineteenth century when writers in Rio de Janeiro as much as in Buenos Aires were...
The life and work of a mentor to Simon Bolivar
Set against the cultural and political backdrop of interwar Europe and the Americas, Poetry in Pieces is the first major study of the Peruvian poet César Vallejo (1892–1938) to appear in English in more than thirty years. Vallejo lived and wrote in two distinct settings—Peru and Paris—which were continually crisscrossed by new developments in aesthetics, politics, and practices of everyday life; his poetry and prose therefore need to be read in connection with modernity in all its forms and spaces. Michelle Clayton combines close readings of Vallejo’s writings with cultural, historical, and theoretical analysis, connecting Vallejo—and Latin American poetry—to the broader panorama of international modernism and the avant-garde, and to writers and artists such as Rainer Maria Rilke, James Joyce, Georges Bataille, and Charlie Chaplin. Poetry in Pieces sheds new light on one of the key figures in twentieth-century Latin American literature, while exploring ways of rethinking the parameters of international lyric modernity.