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Heinrich Schenker
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Reading Newton in Early Modern Europe
Reading Newton in Early Modern Europe investigates how Sir Isaac Newton’s Principia was read, interpreted and remodelled for a variety of readerships in eighteenth-century Europe. The editors, Mordechai Feingold and Elizabethanne Boran, have brought together papers which explore how, when, where and why the Principia was appropriated by readers in Italy, Spain, the Netherlands, England and Ireland. Particular focus is laid on the methods of transmission of Newtonian ideas via university textbooks and popular works written for educated laymen and women. At the same time, challenges to the Newtonian consensus are explored by writers such as Marius Stan and Catherine Abou-Nemeh who examine Cartesian and Leibnizian responses to the Principia. Eighteenth-century attempts to remodel Newton as a heretic are explored by Feingold, while William R. Newman draws attention to vital new sources highlighting the importance of alchemy to Newton. Contributors are: Catherine Abou-Nemeh, Claudia Addabbo, Elizabethanne Boran, Steffen Ducheyne, Moredechai Feingold, Sarah Hutton, Juan Navarro-Loidi, William R. Newman, Luc Peterschmitt, Anna Marie Roos, Marius Stan, and Gerhard Wiesenfeldt.
Introduction to the Spanish Universalist School
Introduction to the Spanish Universalist School presents the most significant authors, works, and concepts of a distinctive humanistic and scientific intellectual community, one mostly comprised of ex-Jesuits exiled to Italy at the end of the eighteenth century. The study of this corner of the Hispanic Enlightenment, marked especially by the work of Juan Andrés, Lorenzo Hervás, and Antonio Eximeno, offers contributions to the history of European sciences and letters, to the history of ideas, and to the concepts of universality and globalization.
Playing in the Cathedral
This work explores how cathedral musicians in eighteenth-century Mexico City relied on music and on their institutional affiliation to define their social place. In the tensions that brewed within New Spain's racial casta (or caste) system, people of mixed race increasingly competed for Spanish benefits and prerogatives.
Music and Modernity in Enlightenment Spain
By showing how music intersected with wider cultural affairs, such as philosophy and criticism, this book connects music and the modern in eighteenth-century Spain within the context of Enlightenment thought. Histories of modern Europe often present late eighteenth-century Spain as a backward place, haunted by the Inquisition and struggling to keep pace with modernity. While Spain under Charles III (1759-1788) pushed for economic and cultural modernization, many elites and the public at large resisted Enlightenment ideas. For conservatives, the modern would in time show its fragility, and Spain would withstand the collapse thanks to its firm grounding in the pillars of monarchy, religion, an...
Spanish Music in the Twentieth Century
From the exhilarating impact of Isaac Albeniz at the beginning of the century to today's complex and adventurous avant-garde, this complete interpretive history introduces twentieth-century Spanish music to English-speaking readers. With graceful authority, Tomas Marco, award-winning composer, critic, and bright light of Spanish music since the 1960s, covers the entire spectrum of composers and their works: trends and movements, critical and popular reception, national institutions, influences from Europe and beyond, and the effect of such historic events as the Spanish Civil War and the death of Franco. Marco's penetrating aesthetic critiques are threaded throughout each phase of this rich ...
The Sciences of the Soul
Fernando Vidal’s trailblazing text on the origins of psychology traces the development of the discipline from its appearance in the late sixteenth century to its redefinition at the end of the seventeenth and its emergence as an institutionalized field in the eighteenth. Originally published in 2011, The Sciences of the Soul continues to be of wide importance in the history and philosophy of psychology, the history of the human sciences more generally, and in the social and intellectual history of eighteenth-century Europe.
Dance and Instrumental Diferencias in Spain During the 17th and Early 18th Centuries: History and background, music and dance
V. 1. History and background, music and dance -- v. 2. Musical transcriptions -- v. 3. The notes in Spanish and other languages from the sources.
