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La couverture indique : "In antiquity Archilochus of Paros was considered a poet rivalled only by Homer and Hesiod, yet he has been relatively neglected by modern scholarship. This first complete commentary on his work provides textual, literary, and historical analysis of all of his surviving poetry alongside the fragmentary texts and brand new translations."
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This study of early Greek lyric provides portraits of Archilochus, Alcaeus and Sappho and their poetry. It looks at their social settings, and their purposes within it.
Archilochus was a Greek poet living in the 7th Century BC. He originated from the island of Paros but spent considerable time working on and fighting for Thasos, the Thracian colony of Paros. Archilochus' relationship with Thasos and the idea of Greek colonization is explored in his poetry. He is unique in being the first Greek author to compose almost entirely based on his own emotions and experiences. Previous poets, namely Homer and Hesiod, used Greek myth and legend as the basis of their poetry. Archilochus takes his listener to a different place with different concerns. Throughout his poetry, Archilochus explores what it means to be a person trying to make terms with the world and event...
Archilochus, Greece's first lyric poet, took part in the earliest colonial expeditions. Perril's Archilochus has been sent into exile to colonise the moon, that curator of lost objects and desires. This collection voices the ageing poet's dissection of hope and desire, and his meditation upon the body that barely houses them.
The suitors in the Odyssey strikingly resemble a very specific audience of iambic poets such as Archilochus or Semonides. Justifying these young men's deaths, the Odyssey engages in a polemic intertext with Archilochus' attacks against the threatening epic discourse. This study is concerned with reading both the traces of this often hidden quarrel in the Odyssey and the answers we can find within the iambic texts. Although iambus and epos have been connected in earlier studies, the direct portrait of the iambic audience within the Odyssey has not been examined. This book allows the reader to see these issues in the larger social context.
The discovery of the Mnesiepes inscription on Paros revealed the third century B.C. belief that the young Archilochos was transformed into a poet by an encounter with the Muses. It also revealed that the poet had become the object of a cult by his fellow islanders as he was transformed in death to a local hero. This is the first attempt to trace the history of this cult from the late sixth century B.C. to the third century A.D.. The author also integrates the iconography of the poet into the history of this cult, and addresses for the first time the larger phenomenon of the cult of poets in the Greek states. This study provides appendices giving sources of information for these cults, including the text of the Mnesiepes inscription. It is illustrated by in-text figures and plates.