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Examines French heroic poetry and allegory in the seventeenth century.
This book of original essays explores three important areas in comparative literature and history and in cultural studies: the boundaries between history and fiction;women as writers and subjects; and the connection between the early modern, modern and postmodern. New history and new literary studies look at innovative ways to see past cultures in a new light. Traditional methods are used to new ends and writers who are familiar within their cultures are translated to other cultures. This study promotes an expanded understanding of our cultural artifacts in a rapidly changing present. It discusses English-speaking culture in the early modern period in the context of other European cultures a...
"One of the most striking aspects of abbé d'Aubignac's fictional output is that the principal focus of his work is women. D'Aubignac's attempt to articulate his philosophy about the female sex is very much an intricate balancing act. While he is clearly interested in women, placing them on a pedestal in many of his writings, the abbé imposes limitations on their perceived innate qualities and often embraces the notion of the female as a societal scapegoat. All the Abbé's Women explores how these ideas were influenced by the socio-political conditions of d'Aubignac's time, resulting in a complex inter-relationship between the notions of power and misogyny in the author's fictional and critical works. The study also aims to contribute to the scholarship on d'Aubignac, painting a portrait of the abbé that has not been the focus of previous books. The work will appeal to students of French literature, gender studies and the cultural history of Early Modern France."--Back cover.
Into the Dark Night and Back is the first comprehensive English language selection of the mystical writings, poems, and letters of the French mystic and exorcist Jean-Joseph Surin, S.J. (1600–65).
In a critical examination of Thackeray's style, Mr. Loofbourow shows how Thackeray "hybridized" the genre of the romance by adapting the tone and language of the epic, the chivalric romance, and the pastoral, and by carrying parody and satire to a high technical level. Thackeray used these techniques with particular success in Vanity Fair and Henry Esmond. Besides analyzing these two works, Mr. Loofbourow discusses the significance of epic in the 19th century, the expressive values of the novel as a whole, and the relevance of Thackeray’s methods to the work of such writers as George Eliot, Henry James, Virginia Woolf, and E. M. Forster. His book is an attempt to come to terms with Thacker...
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