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The Infinite
A journey to the International Space Station: the making of the biggest media project ever filmed in orbit. The Infinite documents the making of the ground-breaking immersive VR experience shot entirely aboard the International Space Station. Artists and astronauts joined forces to capture life in the cosmos as never before. In this oversize publication, brand-new views of space and stunning production shots reveal the human imagination's limitless potential. In Summer 2021, PHI and EMMY(R) Award-winning digital entertainment pioneers Felix & Paul Studios will launch the public into an infinite universe. A ground-breaking immersive VR exhibition will enable the audience to visit the ISS, where they encounter experiments, zero-gravity living, and breathtaking spacewalks. Beautifully designed, The Infinite features interviews with leaders in VR and contemporary art. It perfectly complements the exhibition's role in rendering the innovation and collaboration in humanity's quest for the skies.
Libby Heaney
Libby Heaney worked for several years as a quantum physicist before turning to art. She is a pioneer in the use of quantum computing as an artistic technology, which she uses to create immersive visual worlds and develop a unique visual language that makes the multi-layered reality of the quantum world tangible to the senses. Her oeuvre includes video installations, game environments, sculptures, performances, and participatory experiments. This catalogue presents the latest works by this pioneering British artist. LIBBY HEANEY is an award-winning British artist and quantum physicist. She lives and works in London, UK. Heaney is considered the first artist to use quantum computing as a working artistic medium.
Idea Colliders
A provocative call for the transformation of science museums into “idea colliders” that spark creative collaborations and connections. Today's science museums descend from the Kunst-und Wunderkammern of the Renaissance—collectors' private cabinets of curiosities—through the Crystal Palace exhibition of 1851 to today's “interactive” exhibits promising educational fun. In this book, Michael John Gorman issues a provocative call for the transformation of science museums and science centers from institutions dedicated to the transmission of cultural capital to dynamic “idea colliders” that spark creative collaborations and connections. This new kind of science museum would not st...
Pipilotti Rist
The exhibition that Pipilotti Rist presented in the Museo Nacional Centro de Arte Reina Sofia, her first show in Spain, consists of five video installations: a selection of which are considered the best works by the artist since 1994 until today. Monitors with images, music, objects that form the scenes, projectors are the basic elements of these five installations in which you can perceive the essence and the most recent evolution of the artist's work.
Art's Realism in the Post-Truth Era
Arguing for the necessity of taking art's contribution to contemporary realism seriously, this edited collection intervenes on contemporary debates about realism by demonstrating that the arts do not simply illustrate philosophical theories. The significance of art's realism in times characterised by the normalisation of fake, manipulated and distorted representations of reality can only be fully understood by attending to the ways that the arts mediate, visualise and even shape reality. Each chapter features a different approach to realism and its aesthetic dimensions not only in the visual arts, but also in sound art, film, scientific imaging and literature.
The Shock of Recognition
In The Shock of Recognition, Lewis Pyenson uses a method called Historical Complementarity to identify the motif of non-figurative abstraction in modern art and science. He identifies the motif in Picasso’s and Einstein’s educational environments. He shows how this motif in domestic furnishing and in urban lighting set the stage for Picasso’s and Einstein’s professional success before 1914. He applies his method to intellectual life in Argentina, using it to address that nation’s focus on an inventory of the natural world until the 1940s, its adoption of non-figurative art and nuclear physics in the middle of the twentieth century, and attention to landscape painting and the wonder of nature at the end of the century.
Quantum Ecology
An exploration of the emerging quantum technological paradigm and its effects on human consciousness and cultures. In Quantum Ecology, Stefano Calzati and Derrick de Kerckhove identify three technological ecologies—linguistic, digital, and quantum—to better understand today’s shattered globalized contemporaneity and navigate the impact of soon-to-come quantum information technologies. Today’s societies, based as they are on language and writing, face disruption brought on by digital transformation, which is not predicated on sharing meaning but on sheer computability. This produces what the authors call an “epistemological crisis.” From here, the book explores how emerging quantu...
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Quantum Shorts 2
This second volume of Quantum Shorts blends quantum physics with more storytelling. Inspired by the quantum world, 38 writers have crafted 38 imaginative stories. In one, two lovers’ relationship hangs in the balance as a quantum computer calculates, in another, a quantum computer chats with its classical counterpart. There are tales of a demon-haunted world, a grumpy Observer handling the fate of a universe, a musician looking for his hit single, and many more. Prepare to be in a superposition of inspired entanglement, to be disturbed and amused by this quantum flash fiction.
Unfinished Nature
The discovery of the Higgs boson in 2012, the culmination of a decades-long search, is one of the singular triumphs of particle physics. Advanced experiments at the Large Hadron Collider at CERN (the Conseil Européen pour la Recherche Nucléaire) near Geneva detected the long-hypothesized particle, resulting in the 2013 Nobel Prize in Physics. Drawing on two and a half years of in-depth fieldwork spent among CERN’s research community during this critical period, Arpita Roy offers a rich analysis of science in the making. To what extent are scientific discoveries a matter of empirical findings? How do scientists at the farthest reach of abstraction understand their work? Unfinished Nature ...
