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Ariel
"Irritating, insufferable, admirable, stimulating, disappointing Rodó: . . . you are part of our family quarrels, and must bear with your disrespectful, equally disappointed, intuitive, incomplete nephews, living in a world that you helped define for us, and offered unto our revolt." —from the Prologue by Carlos Fuentes First published in 1900 Uruguay, Ariel is Latin America's most famous essay on esthetic and philosophical sensibility, as well as its most discussed treatise on hemispheric relations. Though Rodó protested the interpretation, his allegorical conflict between Ariel, the lover of beauty and truth, and Caliban, the evil spirit of materialism and positivism, has come to be regarded as a metaphor for the conflicts and cultural differences between Latin America and the United States. Generations of statesmen, intellectuals, and literary figures have been formed by this book, either in championing its teachings or in reacting against them. This edition of Ariel, prepared especially with teachers and students in mind, contains a reader's guide to names, places, and important movements, as well as notes and a comprehensive annotated English/Spanish bibliography.
The Lost Cinema of Mexico
The Lost Cinema of Mexico is the first volume to challenge the dismissal of Mexican filmmaking during the 1960s through 1980s, an era long considered a low-budget departure from the artistic quality and international acclaim of the nation’s earlier Golden Age. This pivotal collection examines the critical implications of discovering, uncovering, and recovering forgotten or ignored films. This largely unexamined era of film reveals shifts in Mexican culture, economics, and societal norms as state-sponsored revolutionary nationalism faltered. During this time, movies were widely embraced by the public as a way to make sense of the rapidly changing realities and values connected to Mexico’s...
Unwelcome Exiles. Mexico and the Jewish Refugees from Nazism, 1933-1945
Unwelcome Exiles. Mexico and the Jewish Refugees from Nazism, 1933–1945 reconstructs a largely unknown history: during the Second World War, the Mexican government closed its doors to Jewish refugees expelled by the Nazis. In this comprehensive investigation, based on archives in Mexico and the United States, Daniela Gleizer emphasizes the selectiveness and discretionary implementation of post-revolutionary Mexican immigration policy, which sought to preserve mestizaje—the country’s blend of Spanish and Indigenous people and the ideological basis of national identity—by turning away foreigners considered “inassimilable” and therefore “undesirable.” Through her analysis of Mexico’s role in the rescue of refugees in the 1930s and 40s, Gleizer challenges the country’s traditional image of itself as a nation that welcomes the persecuted. This book is a revised and expanded translation of the Spanish El exilio incómodo. México y los refugiados judíos, 1933-1945, which received an Honorable Mention in the LAJSA Book Prize Award 2013.
The Mexico Story
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The Making of Mexican Modernist Architecture
This book presents the making of Mexican Modernist architecture through five power structures – academic, social status, economic/political, gender, and postcolonial – and by interviews and analysis of 13 key Mexican architects. These include Luis Barragán, José Villagrán García, Juan O’Gorman, Pedro Ramírez Vázquez, Agustín Hernández, Abraham Zabludovsky, Carlos Mijares, Ricardo Legorreta, Juan José Díaz Infante, Enrique Norten, Alberto Kalach, Javier Sordo Madaleno and Clara de Buen. Although the five power structures framed what was built, the testimony of these Mexican architects helps us to recognize and discover subtleties and nuances. Their views thereby shed light on ...
Los grandes problemas de México. Relaciones internacionales. T-XII
A setenta años de su fundación, El Colegio de México publica esta serie de dieciséis volúmenes, titulada Los grandes problemas de México, en la que se analizan los mayores retos de la realidad mexicana contemporánea, con el fin de definir los desafíos que enfrentamos en el siglo XXI y proponer algunas posibles respuestas y estrategias para resolver nuestros problemas como nación. Serie: Los grandes problemas de México. Vol, XII Relaciones internacionales, diecinueve estudiosos y diplomáticos con amplia experiencia en la conducción de las relaciones con el exterior abordan algunos de estos asuntos y problemas, los retos que han implicado para México y la forma en la que se ha int...
Mexico Between Hitler and Roosevelt
Mexico's relationship with the world during the 1930s is revealed as a fascinating series of calculated responses to domestic political changes and international economic shifts.
Bakers and Basques
Mexico City's colorful panaderías (bakeries) have long been vital neighborhood institutions. They were also crucial sites where labor, subsistence, and politics collided. From the 1880s well into the twentieth century, Basque immigrants dominated the bread trade, to the detriment of small Mexican bakers. By taking us inside the panadería, into the heart of bread strikes, and through government halls, Robert Weis reveals why authorities and organized workers supported the so-called Spanish monopoly in ways that countered the promises of law and ideology. He tells the gritty story of how class struggle and the politics of food shaped the state and the market. More than a book about bread, Bakers and Basques places food and labor at the center of the upheavals in Mexican history from independence to the aftermath of the Mexican Revolution.
The Classical Mexican Cinema
From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood’s paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film f...
The Making of the Mexican Border
The issues that dominate U.S.-Mexico border relations today—integration of economies, policing of boundaries, and the flow of workers from south to north and of capital from north to south—are not recent developments. In this insightful history of the state of Nuevo León, Juan Mora-Torres explores how these processes transformed northern Mexico into a region with distinct economic, political, social, and cultural features that set it apart from the interior of Mexico. Mora-Torres argues that the years between the establishment of the U.S.-Mexico boundary in 1848 and the outbreak of the Mexican Revolution in 1910 constitute a critical period in Mexican history. The processes of state-bui...
