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Ladies of the Canyons is the true story of remarkable women who left the security and comforts of genteel Victorian society and journeyed to the American Southwest in search of a wider view of themselves and their world. Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a...
Indigenous Women and Violence offers an intimate view of how settler colonialism and other structural forms of power and inequality created accumulated violences in the lives of Indigenous women. This volume uncovers how these Indigenous women resist violence in Mexico, Central America, and the United States, centering on the topics of femicide, immigration, human rights violations, the criminal justice system, and Indigenous justice. Taking on the issues of our times, Indigenous Women and Violence calls for the deepening of collaborative ethnographies through community engagement and performing research as an embodied experience. This book brings together settler colonialism, feminist ethno...
A cycle of poetry and stories by the Navajo writer explores her memories of home in Shiprock, New Mexico; of significant events such as birth, partings, and reunions; and of life with her family. By the author of Seasonal Woman. Simultaneous.
"Shows how Indigenous women are important political agents in reshaping state sovereignty"--Provided by publisher.
A collection of essays discussing adventure, handicaps, depression, science, masculine behavior, parenthood, human sexuality, agoraphobia, and women's role in society.
Women who skirt traditions, whether on the frontier of a young state or in a male-dominated profession, have relied on resilience, creativity, and grit to survive…and to flourish. These short biographies of twenty-eight female writers and journalists from Arizona span the one hundred years since Arizona became the forty-eighth state in the Union. They capture the emotions, the monumental and often overlooked events, and the pioneering spirit of women whose lives are now part of Arizona history. The remarkable women profiled in this anthology made the trek to Arizona from the big cities of Chicago, Los Angeles, and Washington, D.C.; from the green hills of Wisconsin, and from backwater town...
From the multi-million copy bestselling author of Demon Copperhead: a true story of female-led resilience during the Great Arizona Mine Strike of 1983 - now available for the first time in the UK. '[Kingsolver] means to save us by telling us stories . . . She comes closer than anyone else I know.' ANNE PATCHETT 'A mesmerising account of women finding their voices.' THE TIMES 'Readers will discover what made Kingsolver the novelist she is now.' NEW STATESMAN 'This is a report from the trenches of where the political meets the personal.' JOHN SAYLES 'A jaw-dropping and warm-hearted read about injustice.' WOMAN & HOME It was the summer of 1983. Barbara Kingsolver had a day job as a scientific w...
This is one of the first books to address how gender plays a role in helping to achieve the sustainable use of natural resources. The contributions collected here deal with the struggles of women and men to negotiate such forces as global environmental change, economic development pressures, discrimination and stereotyping about the roles of women and men, and diminishing access to natural resources—not in the abstract but in everyday life. Contributors are concerned with the lived complexities of the relationship between gender and sustainability. Bringing together case studies from Asia and Latin America, this valuable collection adds new knowledge to our understanding of the interplay b...
In Ciudad Juárez, Mexico, people disappear, their bodies dumped in deserted city lots or jettisoned in the unforgiving desert. All too many of them are women. More or Less Dead analyzes how such violence against women has been represented in news media, books, films, photography, and art. Alice Driver argues that the various cultural reports often express anxiety or criticism about how women traverse and inhabit the geography of Ciudad Juárez and further the idea of the public female body as hypersexualized. Rather than searching for justice, the various media—art, photography, and even graffiti—often reuse victimized bodies in sensationalist, attention-grabbing ways. In order to count...