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Kate Atkinson
This timely in-depth study of award-winning Kate Atkinson's work provides a welcome comprehensive overview of the novels, play and short stories. It explores the major themes and aesthetic concerns in her fiction. Combining close analysis and literary contextualisation, it situates her multi-faceted work in terms of a hybridisation of genres and innovative narrative strategies to evoke contemporary issues and well as the past. Chapters offer insights into each major publication (from Behind the Scenes at the Museum to Big Sky, the latest instalment in the Brodie sequence, through the celebrated Life After Life and subsequent re-imaginings of the war) in relation to the key concerns of Atkinson's fiction, including self-narrativisation, history, memory and women’s lives.
Wonder Tales in the Fiction of A. S. Byatt
This volume provides sustained critical attention on Byatt’s wonder tales, both the stand-alone tales and those which are embedded in the wider frame of a novel or novella. In this light, it examines Byatt’s claim that her wonder tales “are modern literary stories and they do play quite consciously with a postmodern creation and recreation of old forms” through a revisitation of the wonder tale in a productive dialogue with tradition as an expanded recognition of this fertile creative-critical dialogue with regards to the significance of the wonder tale in Byatt’s fictional work. The book evinces a fresh variety of conceptions and approaches to Byatt’s wonder tales, some spanning several tales and others focussing on a specific wonder tale, all thoroughly observant of the nature and workings of the relationship between story or novel and genre or tale, and theoretically informed by innovative critical approaches.
Memory and Identity
This book examines the ways in which ghosts haunt and shape cultural identities and memory, considering the manner in which the fluctuations of such identities sometimes imply the rethinking or rewriting of the past. Drawing on case studies in historical, political, literary and linguistic studies, it explores the narratives that produce imagined communities and identities and the places in which cultural identities are constructed through memory, asking how far these identities and memories disinherit or exclude otherness, and how far ghosts disturb orderly narratives, inviting multiple readings of the past. Thematically organized to consider the persistence of ghosts within present memory and identity, the creation of new identities through intertwining narratives of the past, and the reclamation of identities in postcolonial contexts, Memory and Identity: Ghosts of the past in the English-speaking world offers a multi-disciplinary examination of the concept of haunting. Memory and Identity will appeal to scholars of sociology, anthropology, cultural studies and history with interests in memory and identity.
Prequels, Coquels and Sequels in Contemporary Anglophone Fiction
This book offers to delineate a key phenomenon in contemporary Anglophone fiction: novel expansion, when the plot and characters from a finished novel are retrieved to be developed in new adventures set before, after or during the narrative time of the source-text. If autographic and allographic sequels are almost as old as literature, prequels – that imagine the anteriority of a narrative – and coquels – that develop secondary characters in the same story time as the source-text – are more recent. The overall trend for novel expansion spread in the mid-1980s and 1990s and has since shown no sign of abating. This volume is organised following three types of relationships to the source-texts even if these occasionally combine to produce a more complex structure. This book comprises 11 essays, preceded by an introduction, that examine narrative strategies, aesthetic, ethical and political tendencies underlying these novel expansions. Following the overview provided in the introduction, the reader will find case studies of prequels, coquels and sequels before a final chapter that encompasses them all and more.
Wide Sargasso Sea at 50
This book revisits Jean Rhys’s ground-breaking 1966 novel to explore its cultural and artistic influence in the areas of not only literature and literary criticism, but fashion design, visual art, and the theatre as well. Building on symposia that were held in London and New York in 2016 in honour of the novel’s half-century, this collection demonstrates just how timely Rhys’s insights into colonial history, sexual relations, and aesthetics continue to be. The chapters include an extensive interview with novelist Caryl Phillips, who in 2018 published a novel about Rhys’s life, an account of how Wide Sargasso Sea can be read through the lens of the #MeToo Movement, a clothing line inspired by the novel, and new critical directions. As both a celebration and scholarly evaluation, the collection shows how enduring Rhys’s novel is in its continuing literary influence and social commentary.
The Princeton Guide to Historical Research
The essential handbook for doing historical research in the twenty-first century The Princeton Guide to Historical Research provides students, scholars, and professionals with the skills they need to practice the historian's craft in the digital age, while never losing sight of the fundamental values and techniques that have defined historical scholarship for centuries. Zachary Schrag begins by explaining how to ask good questions and then guides readers step-by-step through all phases of historical research, from narrowing a topic and locating sources to taking notes, crafting a narrative, and connecting one's work to existing scholarship. He shows how researchers extract knowledge from the...
Victorian Unfinished Novels
The first detailed study on the subject of Victorian unfinished novels, this book sheds further light on novels by major authors that have been neglected by critical studies and focuses in a new way on critically acclaimed masterpieces, offering a counter-reading of the nineteenth-century literary canon.
Television and the Genetic Imaginary
This book examines the complex ways in which television articulates ideas about DNA in the early 21st century. Considering television’s distinct aesthetic and narrative forms, as well as its specific cultural roles, it identifies TV as a key site for the genetic imaginary. The book addresses the key themes of complexity and kinship, which function as nodes around which older essentialist notions about the human genome clash with newly emergent post-genomic sensibilities. Analysing a wide range of US and UK programmes, from science documentaries, science fiction serials and crime procedurals, to family history programmes, sitcoms and reality shows, Television and the Genetic Imaginary illustrates the extent to which molecular frameworks of understanding now permeate popular culture.
Rewriting/Reprising
This volume comprises sixteen essays, preceded by an introductory chapter focusing on the diverse modalities of textual, and more widely, artistic transfer. Whereas the first Rewriting-Reprising volume (coord. by C. Maisonnat, J. Paccaud-Huguet & A. Ramel) underscored the crucial issue of origins, the second purports to address the specificities of hypertextual, and hyperartistic (Genette, 1982) practices. Its common denominator is therefore second degree literature and art. A first section, titled “Pastiche, Parody, Genre and Gender,” delineates what amounts to a poetics of rewriting/reprising, by investigating a whole range of authorial stances, from homage – through a symphonic play...
Post-heritage Perspectives on British Period Drama Television
Drawing upon the existing scholarship of period drama and emerging research into new media ecologies, instigated by television streaming services such as Netflix, this book establishes a critical framework for understanding the representation of nationhood and cultural identity in television drama. By formalising the term ‘post-heritage’ the book proposes a methodology which recognises the interplay of traditional and innovative elements within period drama productions. The book applies this critical perspective to popular British period drama productions from the 2010s, with examples including The Crown, the ‘society dramas’ of Upstairs Downstairs and Downton Abbey, Steven Knight’...
