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Artists & Prints
  • Language: en
  • Pages: 296

Artists & Prints

Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.

USIA World
  • Language: en
  • Pages: 294

USIA World

  • Type: Book
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  • Published: 1991
  • -
  • Publisher: Unknown

None

The Image in Print
  • Language: en
  • Pages: 328

The Image in Print

  • Type: Book
  • -
  • Published: 2004
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  • Publisher: Unknown

This important new survey examines woodcuts in books and describes what they can tell us about how books were produced and why, about reading habits and developments in literacy and about the part they played in social, political and religious change.

Catalogue
  • Language: en
  • Pages: 596

Catalogue

  • Type: Book
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  • Published: 1888
  • -
  • Publisher: Unknown

None

Photography and Doubt
  • Language: en
  • Pages: 294

Photography and Doubt

Recent decades have seen photography’s privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. Photography and Doubt reflects on this interest in photography’s referential power by discussing it in rigorously historical terms. How was the understanding of photographic realism cultivated in the first place? What do cases of staged and manipulated photography reveal about that realism’s hold on audiences across the medium’s history? Have doubts about photography’s testimo...

The Invention of Printing
  • Language: en
  • Pages: 572

The Invention of Printing

  • Type: Book
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  • Published: 1877
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  • Publisher: Unknown

None

The Printing Times and Lithogapher
  • Language: en
  • Pages: 364

The Printing Times and Lithogapher

  • Type: Book
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  • Published: 1880
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  • Publisher: Unknown

None

Print, Power, and Cultural Hegemony
  • Language: en
  • Pages: 368

Print, Power, and Cultural Hegemony

Federico Dal Bo examines the design of early Hebrew books from the late fifteenth and sixteenth centuries, focusing not only on the words in these early books but also on how they were arranged on the page. He follows in the tradition of scholars such as Christopher de Hamel, Marvin J. Heller, and David Stern, who have explored the importance of these Hebrew books in influencing Jewish learning and attracting the interest of Christians. The author discusses important prints, such as the first Talmud and rabbinical bibles, which marked a shift from being for Jewish readers only to being for both Jews and Christians. The collaboration between Jewish editors and Christian printers changed the w...

IPod
  • Language: en
  • Pages: 322

IPod

Apple's iPod still has the world hooked on portable music, pictures, videos, movies, and more, but one thing it doesn’t have is a manual that helps you can get the most out this amazing device. That’s where this book comes in. Get the complete scoop on the latest line of iPods and the latest version of iTunes with the guide that outshines them all—iPod: The Missing Manual. The 10th edition is as useful, satisfying, and reliable as its subject. Teeming with high-quality color graphics, each page helps you accomplish a specific task—everything from managing your media and installing and browsing iTunes to keeping calendars and contacts. Whether you have a brand-new iPod or an old favor...

Vernacular Books and Their Readers in the Early Age of Print (c. 1450–1600)
  • Language: en
  • Pages: 432

Vernacular Books and Their Readers in the Early Age of Print (c. 1450–1600)

  • Type: Book
  • -
  • Published: 2023-09-14
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  • Publisher: BRILL

'The Open Access publishing costs of this volume were covered by the Dutch Research Council (NWO), Veni-project “Leaving a Lasting Impression. The Impact of Incunabula on Late Medieval Spirituality, Religious Practice and Visual Culture in the Low Countries” (grant number 275-30-036).' This volume explores various approaches to study vernacular books and reading practices across Europe in the 15th-16th centuries. Through a shared focus on the material book as an interface between producers and users, the contributors investigate how book producers conceived of their target audiences and how these vernacular books were designed and used. Three sections highlight connections between vernacularity and materiality from distinct perspectives: real and imagined readers, mobility of texts and images, and intermediality. The volume brings contributions on different regions, languages, and book types into dialogue. Contributors include Heather Bamford, Tillmann Taape, Stefan Matter, Suzan Folkerts, Karolina Mroziewicz, Martha W. Driver, Alexa Sand, Elisabeth de Bruijn, Katell Lavéant, Margriet Hoogvliet, and Walter S. Melion.