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Contemporary Art in Papua New Guinea
The contemporary artwork movement in Papua New Guinea is 20 years young. Spectacular carvings and painted objects, such as ancestor figures and masks, created for ritual and ceremonial purposes, are included in Contemporary Art in Papua New Guinea along with canoe prows, musical instruments, and elaborate body decorations. The accompanying text offers a personal interpretation of the current art movement and its ties to Papua New Guinea's society and culture.
The Innocent Artists
None
Living Spirits with Fixed Abodes
This book gives the reader a thorough account of each of the 209 objects on display at the Masterpieces exhibition at the PNG National Museum and Art Gallery. The Introduction by the Editor, a former Curator of the National Museum, aims to give the non-Papua New Guinean reader a general idea of the significance of these objects and how they are to be understood. Two chapters by Dr Mark Busse, also a former Curator, provide a brief history of the Museum and outline its functions.
Papua New Guinea Prints
Richly illustrated and clearly written, Papua New Guinea Prints is a groundbreaking contribution to the understanding of a vital period in the history of art in Papua New Guinea.
Sepik Ramu Art
Unknown masterpieces of the traditional arts of the Sepik-Ramu Rivers region of Papua New Guinea.
Myth and Magic
This book provides a rare opportunity to encounter masterpieces from the Sepik, works of art that speak of a time and place where spirits and ancestors were integral to daily life. These works come from the rich collections of the National Gallery of Australia, other Australian museums and art galleries, and the Papua New Guinea National Museum and Art Gallery. This publication celebrates the unique cultures of a country that has been so closely linked to ours, a country that is now celebrating its fortieth anniversary of independence.
Shadows of New Guinea
"A publication revealing the extraordinary talents of the scultors of New Guinea, in turn, marked with staggering ferocity and surprising delicacy. The rituals of the native inhabitants of this major island sometimes involved headhunting, perceived as a need to appropriate the enemy's vital forces in order to increase one's own. It is a complex mythology that has given rise to numerous sacred or magic sculptures, the oldest of which were carved with stone tools or sharp shell edges and finished with the pointed teeth of small animals. The Barbier-Mueller Museum presents almost two hundred pieces from New Guinea belonging to its collections, documented by surperb photographs, some of which are previously unpublished." --Dust Jacket.
