Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Infrastructure and Form
Feminist networks, new biennials, and performance -- Painting and the image condition at the millennium -- Materiality, ephemerality, and haptics -- Language, the documentary, and art in a discursive mode -- Infrastructure, collaboration, and the cut -- Conclusion : Infrastructure is not (only) a metaphor.
The Indonesian Genocide of 1965
This collection of essays by Indonesian and foreign contributors offers new and highly original analyses of the mass violence in Indonesia which began in 1965 and its aftermath. Fifty years on from one the largest genocides of the twentieth century, they probe the causes, dynamics and legacies of this violence through the use of a wide range of sources and different scholarly lenses. Chapter 12 of this book is available open access under a CC BY 4.0 license at link.springer.com.
The Palgrave Handbook on Art Crime
This handbook showcases studies on art theft, fraud and forgeries, cultural heritage offences and related legal and ethical challenges. It has been authored by prominent scholars, practitioners and journalists in the field and includes both overviews of particular art crime issues as well as regional and national case studies. It is one of the first scholarly books in the current art crime literature that can be utilised as an immediate authoritative reference source or teaching tool. It also includes a bibliographic guide to the current literature across interdisciplinary boundaries. Apart from legal, criminological, archeological and historical perspectives on theft, fraud and looting, this volume contains chapters on iconoclasm and graffiti, underwater cultural heritage, the trade in human remains and the trade, theft and forgery of papyri. The book thereby hopes to encourage scholars from a wider variety of disciplines to contribute their valuable knowledge to art crime research.
The Golden Journey
This major book explores the astonishingly rich heritage of Japanese art, from prehistoric times until Japan opened its doors to the West at the commencement of the Meiji period (1868-1912). It reveals the astonishingly rich heritage of Japanese art held in Australia's major public and private collections. Serene Buddhist sculptures, spectacular painted screens, miniature netsuke talismans, colourful Ukiyo-e images of the 'floating world', costumes, masks, armour and flamboyant export art created for Australia's late nineteenth-century international exhibitions are all included in celebration of the profound lyricism and sophisticated eloquence of Japanese aesthetics. The book features essay contributions by twelve leading Japanese and non-Japanese scholars. This publication is certain to be a major step in promoting greater national and international awareness in appreciating the significance of Japanese collections held in Australia.
Traces of the Ramayana and Mahabharata in Javanese and Malay Literature
Local renderings of the two Indian epics Ramayana and Mahabharata in Malay and Javanese literature have existed since around the ninth and tenth centuries. In the following centuries new versions were created alongside the old ones, and these opened up interesting new directions. They questioned the views of previous versions and laid different accents, in a continuous process of modernization and adaptation, successfully satisfying the curiosity of their audiences for more than a thousand years. Much of this history is still unclear. For a long time, scholarly research made little progress, due to its preoccupation with problems of origin. The present volume, going beyond identifying sources, analyses the socio-literary contexts and ideological foundations of seemingly similar contents and concepts in different periods; it examines the literary functions of borrowing and intertextual referencing, and calls upon the visual arts to illustrate the independent character of the epic tradition in Southeast Asia.
The Book of Yokai, Expanded Second Edition
"Revised and expanded, this second edition of The Book of Yōkai features an all new yōkai picture gallery-with dozens of stunning color images-tracing the visual history of yōkai across centuries. With additional entries and fifty new illustrations, Michael Dylan Foster unpacks the history and cultural context of an even larger cast of yōkai, interpreting their varied meanings and introducing people who have pursued them through the ages. Monsters, spirits, fantastic beings, and supernatural creatures haunt the folklore and popular culture of Japan. Broadly labeled yōkai, they appear in many forms, from tengu mountain goblins and kappa water sprites, to shape-shifting kitsune foxes and long-tongued ceiling-lickers. Popular today in anime, manga, film, and video games, many yōkai originated in local legends, folktales, and regional ghost stories. The Book of Yōkai invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them"--
Life, Death & Magic
For thousands of years across mainland and island Southeast Asia, the deification of significant ancestors and the veneration of spirits of nature has formed the basis of traditional beliefs. These beliefs are in turn the impetus for the creation of splendid and extraordinary works of art in fiber, stone, metal, wood, and clay--made to protect and give pleasure to the living, to honor the ancestors, and to secure safe passage for the human soul between this world and the afterlife. Life, Death and Magic provides an evocative overview of Southeast Asia's ancestral arts and culture, from prehistoric times to the twenty-first century. Beautifully designed, it is illustrated with works of art from countries and regions including Indonesia, the Philippines, Malaysia, Vietnam, Taiwan, East Timor, Brunei, Thailand, Cambodia, and southern China, drawn from museums around the world.
Indonesian Manuscripts from the Islands of Java, Madura, Bali and Lombok
Indonesian Manuscripts from the Islands of Java, Madura, Bali and Lombok discusses aspects of the long and impressive manuscript traditions of these islands, which share many aspects of manuscript production. Many hitherto unaddressed features of palm-leaf manuscripts are discussed here for the first time as well as elements of poetic texts, indications of mistakes, colophons and the calendrical information used in these manuscripts. All features discussed are explained with photographs. The introductory chapters offer insights into these traditions in a wider setting and the way researchers have studied them. This original and pioneering work also points out what topics needs further exploration to understand these manuscript traditions that use a variety of materials, languages, and scripts to a wider public.
Collecting and Provenance
The study of provenance—the history of the creation and ownership of an artefact, work of art, or specimen—provides insights into the history of taste and collecting, illuminating the social, economic, and historic trends in which an object was created and collected. It is as much a history of people as it is of objects, and its study often reveals intricate networks of relationships, patterns of activity and motivations. This book promotes the study of the history of collecting and collections in all their variety through the lens of provenance, and explores the subject as a cross-disciplinary activity. Perhaps for the first time in a publication, it draws on expertise ranging from art ...
Face Up
A wide selection of contemporary art from Australia, featuring new media practitioners James Angus, Mikala Dwyer, Simryn Gill, Fiona Hall, Rosemary Laing, Robert MacPherson, Callum Morton, Susan Norrie, Patricia Piccinini, David Rosetzky, Darren Siwes, Daniel von Sturmer, Guan Wei, and Ah Xian.
