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Performance Making and the Archive
This book investigates theories and practices shaped by a performance’s relationship to the archive. The contributions in the volume examine how the changing nature of performance practices has made it imperative to understand how the archive and archival practices could add to the performance work. They explore a variety of themes, including artistic engagement with the archive in both conceptual and material terms; physical, virtual and digital forms; publicly and privately collected; oral, written and digital ways; or organized and unorganized collections. Finally, the volume examines how archives are modelled on existing structure and the ways in which they can be brought into discourses and practices of performance making through engagement and contestation. A novel approach to performance theory, this volume will be of great interest to scholars and researchers of performance studies, media and culture studies, studies of technology and art as also literature and literary criticism.
World Literature and the Question of Genre in Colonial India
World Literature and the Question of Genre in Colonial India describes the way Marathi literary culture, entrenched in performative modes of production and reception, saw the germination of a robust, script-centric dramatic culture owing to colonial networks of literary exchange and the newfound, wide availability of print technology. The author demonstrates the upheaval that literary culture underwent as a new class of literati emerged: anthologists, critics, theatre makers, publishers and translators. These people participated in global conversations that left their mark on theory in the early twentieth century. Reading through archives and ephemera, Kedar Arun Kulkarni illustrates how literary cultures in colonised locales converged with and participated fully in key defining moments of world literature, but also diverged from them to create, simultaneously, a unique literary modernity.
Cyber Law Awareness Among Young Entrepreneur
Book is related to cyber law Awareness. This book is an exhaustive sectionwise commentary on The Information Technology Act, of 2000. It also lays down the Rules, Regulations, Policies, Notifications, etc. framed under the Act, thereby making it a ready reference on the subject. In the last few years, we have witnessed unprecedented developments in cyber legal jurisprudence. Consequently, Cyber law as a discipline has remarkably progressed and evolved. This book seeks to examine, bisect and analyse various provisions of the Indian Cyber law and its applicability to a variety of human activities. Moreover, it puts forth some of the key emerging aspects, nuances and complexities pertaining to the Indian Cyber law and the issues arising from it. Key Features:
14 Theatre Utsav
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Indian Literature
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Exploring Digital Humanities in India
This book explores the emergence of digital humanities in the Indian context. It looks at how online and digital resources have transformed classroom and research practices. It examines some fundamental questions: What is digital humanities? Who is a digital humanist? What is its place in the Indian context? The chapters in the volume: • study the varied practices and pedagogies involved in incorporating the ‘digital’ into traditional classrooms; • showcase how researchers across disciplinary lines are expanding their scope of research, by adding a ‘digital’ component to update their curriculum to contemporary times; • highlight how this has also created opportunities for resea...
A Poetics of Modernity
The urban theatre which emerged under Anglo-European and local influences in colonial metropolises such as Calcutta and Bombay around the mid-nineteenth century marked the beginning of the ‘modern period’ in Indian theatre, distinct from classical, postclassical, and more proximate precolonial traditions. A Poetics of Modernity offers a unique selection of original, theoretically significant writings on theatre by playwrights, directors, actors, designers, activists, and policy–makers, to explore the full range of discursive positions that make these urban practitioners ‘modern’. The source-texts represent nine languages, including English, and about one-third of them have been translated into English for the first time; the volume thus retrieves a multilingual archive that so far had remained scattered in print and manuscript sources around the country. A comprehensive introduction by Dharwadker argues for historically precise definitions of theatrical modernity, outlines some of its constitutive features, and connects it to the foundational theoretical principles of urban theatre practice in modern India.
Pah-La
“I just lit up. I did not burn” In a remote Tibetan village, Deshar, a young runaway has disowned her father Tsering and become a Buddhist nun. In Lhasa, Chinese Commander Deng is working for the future of the country, unable to meet the needs of his wife and daughter. When Deshar carries out an act of defiance it reverberates across the whole country and a new freedom struggle is born with life changing consequences for Deshar, Deng and their families. “Tell that girl, she has changed Tibet forever.” Pah-la, based on real stories during the 2008 Lhasa riots, is an examination of the future of non-violence.
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