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The Collection of Pictures of the Late Herr A. de Ridder in His Villa at Shönberg Near Cronberg in the Taunus
  • Language: en
  • Pages: 21
The Collection of Pictures of the Late Herr A. de Ridder, Formerly in His Villa at Shönberg Near Cronberg in the Taunus
  • Language: en
  • Pages: 104
The Collection of Pictures of the Late Herr A. de Ridder
  • Language: en
  • Pages: 80

The Collection of Pictures of the Late Herr A. de Ridder

  • Type: Book
  • -
  • Published: 1913
  • -
  • Publisher: Unknown

None

De Ridder retrospective
  • Language: en
  • Pages: 80

De Ridder retrospective

  • Type: Book
  • -
  • Published: 1983
  • -
  • Publisher: Unknown

None

Tables générales de Tomes 1-7 1898-1911
  • Language: fr

Tables générales de Tomes 1-7 1898-1911

  • Type: Book
  • -
  • Published: 1912
  • -
  • Publisher: Unknown

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˜DIEœ GEMÄLDEGALERIE DES WEILAND HERRN AUGUST DE RIDDER IN SEINER VILLA ZU SCHÖNBERG BEI CRONBERG IM TAUNUS.
  • Language: de
  • Pages: 17
The Collection of Pictures Formerly in His Villa at Shönberg ...
  • Language: en
  • Pages: 80

The Collection of Pictures Formerly in His Villa at Shönberg ...

  • Type: Book
  • -
  • Published: 1913
  • -
  • Publisher: Unknown

None

Die Gemäldegalerie des Herrn A. de Ridder, in seiner Villa zu Schönberg bei Cronberg in Taunus
  • Language: de
  • Pages: 44
Collecting and Provenance
  • Language: en
  • Pages: 305

Collecting and Provenance

  • Categories: Art

This collection of essays highlights the enduring significance of provenance and its implications for historians and art historians, as well as students and researchers engaged in museum studies. It also offers an opportunity to demonstrate its relevance to other fields of expertise, such as conservation, visual culture studies, aesthetics, authentication and connoisseurship versus technology as a means of establishing attributions and detecting forgeries. Provenance is still of vital importance to jurisdiction, whether it concerns property law or ownership. It also remains topical because of the ongoing debates over looted art in the 1930s and 1940s and the illicit trade in antiquities conducted from Iraq and Syria by terrorist groups.