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William Aiken Walker
The extensive paintings of William Aiken Walker illustrate life in the late 1800s to the early 1900s, when cotton reigned. As a Southerner born to an Irish Protestant father and a South Carolinian mother, Walker grew up with a profound respect for the often-misunderstood cotton field worker. His painterly expressions document cultural and social conditions of the time, offering respect for the people themselves.
Driven to the Field
Driven to the Field traces the culture of sharecropping—crucial to understanding life in the southern United States—from Emancipation to the twenty-first century. By reading dozens of works of literature in their historical context, David A. Davis demonstrates how sharecropping emerged, endured for a century, and continues to resonate in American culture. Following the end of slavery, sharecropping initially served as an expedient solution to a practical problem, but it quickly developed into an entrenched power structure situated between slavery and freedom that exploited the labor of Blacks and poor whites to produce agricultural commodities. Sharecropping was the economic linchpin in ...
Hidden in Plain Sight
"A long-overdue study of the depiction of slavery in nineteenth-century American art and visual culture, Hidden in Plain Sight investigates the relationship between proslavery politics and the visual record. By examining a vast array of Civil War-era artworks that champion the institution of enslavement and connecting them with the abolitionist materials to which they respond, Rachel Stephens traces themes of concealment and silence through paintings, photographs, and ephemera and explores how the visual canon of high art was used to cover up, control, and reshape the discourse surrounding the United States' most odious institution"--
A Southern Collection
A Southern Collection presents select masterworks from the permanent collection of the Morris Museum of Art on the occasion of the institution's inaugural exhibition. Drawn from a comprehensive survey collection of painting in the South from the late eighteenth century to the present day, the museum's opening exhibit explores an artistic terrain as rich and diverse as the South itself, arranged in categories that reflect critical chronological developments in the art world. A survey of painting activity in the South begins with the travels of itinerant portrait artists working prior to the Civil War. At the same time, landscape painting encompasses a sensitive response to the swamps, bayous ...
American Education
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Domestic Bliss
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Mr. Flagler’s St. Augustine
Florida Book Awards, Bronze Medal for Florida Nonfiction Florida Historical Society Charlton Tebeau Book Award Arguably no man did more to make over a city—or a state—than Henry Morrison Flagler. Almost single-handedly, he transformed the east coast of Florida from a remote frontier into the winter playground of America’s elite. Mr. Flagler’s St. Augustine tells the story of how one of the wealthiest men in America spared no expense in transforming the country’s “Oldest City” into the “Newport of the South.” He built railroads into remote areas where men feared to tread and erected palatial hotels on swampland. He funded hospitals and churches and improved streets and parks...
