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A Kingdom We Can Taste
These rich sermons are rooted in congregational life and steeped in Christian doctrine and the celebrations of the church year. A Kingdom We Can Taste reflects one preacher's effort at leading a congregation through the seasons of Advent, Christmas, Epiphany, Lent, and Easter. David Davis uses a unique combination of resources -- select Old Testament texts, the Apostles' Creed, lectionary assignments, and more -- in his progression of sermons. Readers who "listen" to these thirteen messages, or preaching conversations, will experience the gospel proclaimed and feel a comforting sense of belonging to the community of faith. This inspiring little volume is perfect for pastors preparing sermons of their own, seminary students looking for a model of good preaching, or laypeople wanting quality meditations to chew on.
World War I and Southern Modernism
Winner of the 2018 Eudora Welty Prize When the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region's existing agricultural social structure and the processes of modernization, leading to dis...
Noah Davis
Providing a crucial record of the painter Noah Davis’s extraordinary oeuvre, this monograph tells the story of a brilliant artist and cultural force through the eyes of his friends and collaborators. Despite his exceedingly premature death at the age of 32, Davis’s paintings have deeply influenced the rise of figurative and representational painting in the twenty-first century. Davis’s emotionally charged work places him firmly in the canon of great American painting. Stirring, elusive, and attuned to the history of painting, his compositions infuse scenes from everyday life with a magical realist atmosphere and contain traces of his abiding interest in artists such as Marlene Dumas, K...
Waterman
Waterman is the first comprehensive biography of Duke Kahanamoku (1890–1968): swimmer, surfer, Olympic gold medalist, Hawaiian icon, waterman. Long before Michael Phelps and Mark Spitz made their splashes in the pool, Kahanamoku emerged from the backwaters of Waikiki to become America’s first superstar Olympic swimmer. The original “human fish” set dozens of world records and topped the world rankings for more than a decade; his rivalry with Johnny Weissmuller transformed competitive swimming from an insignificant sideshow into a headliner event. Kahanamoku used his Olympic renown to introduce the sport of “surf-riding,” an activity unknown beyond the Hawaiian Islands, to the wor...
Inhuman Bondage
Davis begins with the dramatic "Amistad" case, and then looks at slavery in the American South and the abolitionists who defeated one of human history's greatest evils.
The Problem of Slavery in Western Culture
This classic Pulitzer Prize-winning book depicts the various ways the Old and the New Worlds responded to the intrinsic contradictions of slavery from antiquity to the early 1770s, and considers the religious, literary, and philosophical justifications and condemnations current in the abolition controversy.
Imagining the Real
The current education climate has brought the development of classroom drama as an art form to a standstill. Practitioners need to make a qualitative leap forward in both theory and practice in order to respond to the cultural demands of the times.By linking the best of the ground-breaking work of Dorothy Heathcote and Gavin Bolton with the pioneering developments in theatre form by the playwright Edward Bond, David Davis identifies a possible way forward. In part one he critiques present drama in education - Mantle of the Expert approaches, conventions drama forms and post-dramatic theatre. In part two he restates and develops the best practice of the last fifty years, centring on the key importance of 'living through' drama. In part three he applies the new drama/theatre form of Edward Bond to begin building a new theory of drama in education and so transform classroom practice. Imagining the Real will be essential reading for drama students at first and higher degree level, students on initial courses of teacher education, drama teachers, lecturers in higher and further education and theatre workers generally.
Slavery and Human Progress
Pulitzer Prize-winner David Brion Davis here provides a penetrating survey of slavery and emancipation from ancient times to the twentieth century. His trenchant analysis puts the most recent international debates about freedom and human rights into much-needed perspective. Davis shows that slavery was once regarded as a form of human progress, playing a critical role in the expansion of the western world. It was not until the eighteenth and nineteenth centuries that views of slavery as a retrograde institution gained far-reaching acceptance. Davis illuminates this momentous historical shift from "progressive" enslavement to "progressive" emancipation, ranging over an array of important developments--from the slave trade of early Muslims and Jews to twentieth-century debates over slavery in the League of Nations and the United Nations. In probing the intricate connections among slavery, emancipation, and the idea of progress, Davis sheds new light on two crucial issues: the human capacity for dignifying acts of oppression and the problem of implementing social change.
Wheels of Courage
Out of the carnage of World War II comes an unforgettable tale about defying the odds and finding hope in the most harrowing of circumstances. Wheels of Courage tells the stirring story of the soldiers, sailors, and marines who were paralyzed on the battlefield during World War II-at the Battle of the Bulge, on the island of Okinawa, inside Japanese POW camps-only to return to a world unused to dealing with their traumatic injuries. Doctors considered paraplegics to be "dead-enders" and "no-hopers," with the life expectancy of about a year. Societal stigma was so ingrained that playing sports was considered out-of-bounds for so-called "crippled bodies." But servicemen like Johnny Winterholle...
Gavin Bolton
Drama as an art form.
