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Legacies of Departed African Women Writers: Matrix of Creativity and Power proffers varied perspectives of the invaluable contributions of ten deceased African writers from all across Africa who have cleared the path to a vibrant African feminist arena. The dynamics of change gleaned from both their textual and contextual concerns unarguably set the pace for contemporary African women writers who have striven to follow in the footsteps of their literary mothers as well as their oral foremothers. This book, edited by Helen Chukwuma and Chioma Carol Opara, shows the collective testament of ample creativity and power generated by these departed heroes: Flora Nwapa, Mariama Ba, Grace Ogot, Zulu Sofola, Bessie Head, Buchi Emecheta, Nawal El Saadawi, Assia Djebar, Yvonne Vera, and Nadine Gordimer. These chapters revolve around the positive impact of the celebrated writers on creative writing, theoretical formulations, and socio-cultural change. The contributors argue that these corpuses of works have illuminated creativity rooted in power, vision, and freedom.
This collection is dedicated to a distinguished scholar and writer who for a quarter of a century wrote consistently on African literature and the arts and was a major voice in Nigerian literary circles. Ezenwa-Ohaeto made a mark in contemporary Nigerian poetry by committing pidgin to written form and, by so doing, introducing different creative patterns. He also saw himself as a 'minstrel', as someone who wanted to read, express and enact his work before an audience. First and foremost, however, Ezenwa-Ohaeto was someone who 'un-masked' ideas and meanings hidden in the folds of literary works and made them available to an international academic public. With his outstanding work on Chinua Ac...
This study explores the nationalist imagination, artistic philosophy and the overtly political dimension of Remi Raji’s poetry. It is an attempt to construct a sustained critical discourse on Raji’s ongoing body of works. Raji is one of the major poetic voices on the Nigerian literary scene today. With the publication of his first collection, A Harvest of Laughters, in 1997 Raji has continued to strengthen his craft and vision through subsequent volumes: Webs of Remembrance (2000), Shuttlesongs: America – a Poetic Guided Tour (2003), Lovesong for My Wasteland (2005); and Gather My Blood Rivers of Song (2009). Evidently he has attained poetic maturity and, given the frequency of his output, is set to realise a fulfilled poetic career. His maturation thus far through these five volumes deserves a major critical assessment, and a possible prediction for the direction of his artistic vision.
Blossomed cherries stands to mirror the real approach towards love. It is a very powerful tool to get over heartbreaks, disappointments from work, family, spouse and otherwise. It stands out above many other books as it gives a practical approach to settling the dispute between reason and love. It is filled with grace which satiates any mental and emotional disillusion as it details the philosophies of love, drawing inferences from diverse love experiences around the globe. It calls for a new approach towards settlement of disputes even among nations, so that the world can be lifted from economic depression. Blossomed cherries in short, prescribes the ultimate love experience.
The Holy Spirit provides access to relationship with and reflection on the Triune God. In West Africa, Christians approach the Triune God in a way that challenges the Jewish-Christian memory. Deeply rooted in their ancestral memory, where living is relationality, they embrace the Trinitarian faith, the economy of the relational God-Christ-Spirit, by expanding and reinventing their indigenous experience of God, deities, spirits, and ancestors. Christian faith-practice is marked by the spectacular dominance of the Holy Spirit, whose charisms reflect the operations of deities. African Initiated Churches (AICs), Protestant and Catholic charismatic movements, experience God-Spirit's liberating an...
Modern science informs us about the end of the universe: "game over" is the message which lies ahead of our world. Christian theology, on the other hand, sees in the end not the cessation of all life, but rather an invitation to play again, in God's presence. Is there a way to articulate together such vastly different claims? Eschatology is a theological topic which merits being considered from several different angles. This book seeks to do this by gathering contributions from esteemed and fresh voices from the fields of biblical exegesis, history, systematic theology, philosophy, and ethics. How can we make sense, today, of Jesus' (and the New Testament's) eschatological message? How did h...
As one of the most important Nigerian poets who continue to write the nation in verse, Yeibo, in this fifth collection of poems, has strategically fashioned a kind of poetry that does not only derive its idiom from the prosody and folk tradition of the Izon of Nigeria, it equally advances the poet’s vision through form and structure. His recourse to folklore and reliance on oral materials in the image making process gives coherence and form to the poems. However, what distinguishes this collection from the previous ones is the question of the form through which he demonstrates an intense awareness of the Nigerian experience.
"Over the past two decades, there has been a resurgence in the writing of African and African diaspora speculative and science fiction writing. Discussions around the 'rise' of science-fiction and fantasy have led to a push-back by writers and scholars who have suggested that this is not a new phenomenon in African literature. This collection focuses on the need to recalibrate ways of reading and categorising this grenre of African writing through critical examinations both of classics such as Kojo Laing's Woman of the Aeroplanes (1988) and Ngũgĩ wa Thiong'o's oeuvre, as well as more recent fiction from writers including Nnedi Okorafor, Namwali Serpell and Masande Ntshanga."--Back cover.
This book provides balanced critical linguistic and literary representations of gender and power relations in Ghanaian and Nigerian texts, contrary to most existing literary and linguistic studies on gender that have either focused on male chauvinism or male emasculation. This text provides novel insight into gender dynamics, liberation and empowerment especially as it relates to language and power in Africa.