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This book exposes Turkish policies concerning European Jews during the Hitler era, focusing on three events: 1. The recruitment of German Jewish scholars by the Turkish government after Hitler came to power, 2. The fate of Jews of Turkish origin in German-controlled France during WWII, 3. The Turkish approach to Jewish refugees who were in transit to Palestine through Turkey. These events have been widely presented in literature and popular media as conspicuous evidence of the humanitarian policies of the Turkish government, as well as indications of the compassionate acts of the Turkish officials vis-à-vis Jewish people both in the pre-war years of the Nazi regime and during WWII. This volume contrasts the evidence and facts from a wealth of newly-disclosed documents with the current populist presentation of Turkey as protector of Jews.
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First published in 1990, this is a sensational and highly controversial novel by one of Korea’s most electrifying contemporary authors, which plows through contemporaneous Korean mores with aplomb. First published in 1990, this is a sensational and highly controversial novel by one of Korea’s most electrifying contemporary authors. A preposterous coming-of-age story, melding sex, death, and high school in a manner reminiscent of some perverse collision between Georges Bataille and Beverly Cleary, the narrator of this book plows through contemporaneous Korean mores with aplomb, bound for destruction, or maturity—whichever comes first.
Mathilde Lewly—a female painter at the dawn of the twentieth century—has achieved notoriety among the Parisian avant-garde. She and her husband, also a talented young artist, pursue their separate visions side by side in a Clichy atelier, galvanized by the artistic ferment that surrounds them. But the couple are threatened by the shadow of Mathilde's little sister, Eugénie: since the two girls' sudden departure from their native England, Eugénie has been determined to vault the eight years separating her from Mathilde. Now, devoured by envy and haunted by a past she never actually experienced, the "little one" hurls herself into the artistic and personal life of her elder sister. It is the birth of a fierce rivalry, an emotional tug-of-war, played out against the bohemian riot of the last century's wildest years. But will the First World War's sudden and brutal eruption allow Mathilde to escape this intimate conflict and achieve her destiny?
Through an ingenious structure that jumps from narrator to narrator and spans decades, Call Me Brooklyn follows the life of Gal Ackerman, a Spanish orphan adopted during the Spanish Civil War and raised in Brooklyn, NY. Moving from the secret tunnels that shelter the forgotten residents of Manhattan to the studio where Mark Rothko put an end to his life, from the jazz clubs frequented by Thomas Pynchon to the bar in Madrid where we learn the truth about Ackerman's past, Call Me Brooklyn draws upon a rich tradition that includes Nabokov's Pale Fire, Bellow's Humbolt's Gift, and the novels of Felipe Alfau—a hymn to mystery and to the power of fiction.
American Motorcyclist magazine, the official journal of the American Motorcyclist Associaton, tells the stories of the people who make motorcycling the sport that it is. It's available monthly to AMA members. Become a part of the largest, most diverse and most enthusiastic group of riders in the country by visiting our website or calling 800-AMA-JOIN.
Communication—or the lack thereof—is the subject of this sly update of the picaresque novel. No One Writes Back is the story of a young man who leaves home with only his blind dog, an MP3 player, and a book, traveling aimlessly for three years, from motel to motel, meeting people on the road. Rather than learn the names of his fellow travelers—or even invent nicknames for them—he assigns them numbers. There's 239, who once dreamed of being a poet, but who now only reads her poems to a friend in a coma; there's 109, who rides trains endlessly because of a broken heart; and 32, who's already decided to commit suicide. The narrator writes letters to these men and women in the hope that he can console them in their various miseries, as well as keep a record of his own experiences: "A letter is like a journal entry for me, except that it gets sent to other people." No one writes back, of course, but that doesn't mean that there isn't some hope that one of them will, someday...
This delightful tour of a site full of both history and mythology, populated by men and women with lives and problems that are entirely real, down to earth, and by no means romantic, serves as an introduction not only to the city of a thousand names but to the very spirit of its inhabitants, their daily worries as well as the grand tapestry in which they all labor to find happiness.