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Iranians in Chicagoland
A pictorial history of Iranians in Chicago offers a collection of Persian Palace photographs from Iran's exhibit at the World Columbian Exposition in 1893, along with an Iranian Moen-Ol Saltaneh's observations of 1893 Chicago.
A Social History of Iranian Cinema, Volume 1
DIVSocial history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena. The first volume focuses on silent era cinema and the transition to sound./div
Encyclopedia of Muslim-American History
A two volume encyclopedia set that examines the legacy, impact, and contributions of Muslim Americans to U.S. history.
نيمۀ ديگر
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Nīmah-i digar
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Realty and Building
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Iranians in Chicagoland
In 1893, Haj Mirza Mohammad Ali Moen-Ol Saltaneh journeyed to Chicago from Iran to visit the World Columbian Exposition. According to his memoirs, the Exposition's Ferris Wheel was one of the first things he saw. He visited the Persian Palace, Iran's exhibit at the Exposition, where he met Iranian workers and several French dancers posing as Persian women. These Iranians were likely the earliest group of Iranians who came to Chicago. They little imagined that by 2004, at least 10,000 Iranians would live in the city. Authors Hamid Akbari and Azar Khounani present a newly assembled collection of Persian Palace photographs coupled with Moen-Ol Saltaneh's observations of Chicago.
Relationship-Rich Education
A mentor, advisor, or even a friend? Making connections in college makes all the difference. What single factor makes for an excellent college education? As it turns out, it's pretty simple: human relationships. Decades of research demonstrate the transformative potential and the lasting legacies of a relationship-rich college experience. Critics suggest that to build connections with peers, faculty, staff, and other mentors is expensive and only an option at elite institutions where instructors have the luxury of time with students. But in this revelatory book brimming with the voices of students, faculty, and staff from across the country, Peter Felten and Leo M. Lambert argue that relatio...
Thirty Shadow Birds
To pursue her dream of building a life free from violence for her son and herself, Yalda flees from her nightmarish past as well as her troubled homeland, Iran. But in her new haven, she realizes that nightmares haunt not only her past, but also her present and future. She does what she can to survive, but all her plans dissolve like the shadows and ghosts that follow her. Having fled from an authoritarian regime, and now living in a North America panic-stricken by global terrorism, Yalda is obsessed with all the forms and aspects of violence. She is estranged from her beloved son, Nader, who trains to become an armed security guard, and this means he is wearing a uniform and carrying weapons, prepared to be violent. She cannot forget that her first love was shot and killed by a young prison guard and that her beloved stepbrother also met a violent death. This family history is a wound that makes guns taboo and Yalda yearns to feel safe in a troubled world. The novel is part memory, part dream, and part present, day-to-day struggles for immigrants living in Toronto and Montreal.
