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Cosmococa
Comprehensive edition regarding the first 5 multimedia installations as originally envisioned by artist Oiticica (b. Brazil) and conceived in collaboration with the filmmaker D'Almeida (b. Brazil). The Cosmococa photographic series consist of single rolls of film in accordance with the artist's concept of "quasi-cinema", participative spaces that transcend the cinematographic experience and call into question the contemplative nature of the art object and designed as collective experiences making the spectator an active participant. The present edition is faithful to the artist's original concept in it's presentation of facsimiles of both his notebooks in which the works were conceptualized and Oiticica's own typewritten transcriptions along photographs of installations recently mounted at the Pinacoteca de Sao Paulo and at the Centro de Arte Hélio Oiticica in Rio de Janeiro, two multimedia installations that precede the original photographs for Cosmacoca. The book also contains critical essays by César Oiticica Filho (curator of Projeto Hélio Oiticica), Paulo Herkenhoff and Kátia Maciel.
MARGS
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Vaga-Lume
A mostra Vaga-Lume foi idealizada e organizada pela professora Maria Lucia Cattani em parceria com o LIMIA (Laboratório de Infografia e Multimeios do PPGAV), o Programa de Pós-Graduação, o Instituto de Artes e a Universidade Federal do Rio Grande do Sul. Teve como principais objetivos contribuir com as reflexões sobre a questão do vídeo, estimular a criação artística e incentivar a produção de videoarte de alunos do Instituto de Artes da UFRGS, assim como sua divulgação junto à comunidade acadêmica e público em geral. Em todas edições, participaram alunos inscritos, professores e artistas convidados que já tinham um trabalho relacionado com o vídeo. Ao final de cada even...
Piero Della Francesca
A major work by the most important Italian art historian of this century
A/r/tography
"Twelve contributors explore the relationships between and among the three roles of artist, researcher, and teacher as they implement arts-based educational research. Each contributor uses her or his own artistic practices as integral ot complementary practices to other forms of inquiry. In each case, the artist-author examines an educational issue and through visual and textual means, pursues theoretical and practical considerations. Each artist-author engages with theory and practice, art and text, self and other, artist and teacher. In many respects, two points of view are explored: art as phenomenon and art-making as method. Using these points separately or together, the artist-authors explore the fullness of such inquiry for educational research. Through an examination of these art-based texts, readers will come to appreciate educational practices in deeper and more meaningful ways."--publisher.
The Fourth Discontinuity
Discusses the relationship between humans and machines, pondering the implications of humans becoming more mechanical and of computer robots being programmed to think. He describes early Greek and Chinese automatons and discusses ideas of previous centuries and of individuals on this subject.
Vampyroteuthis Infernalis
Vilém Flusser (1920-1991) was born in Prague. He emigrated to Brazil, where he taught philosophy and wrote a daily newspaper column in Sao Paulo, then later moved to France. He wrote several books in Portuguese and German. Writings (2004), Into the Universe of Technical Images (2011), and Does Writing Have a Future? (2011) have been published by the University of Minnesota Press, and the Shape of Things, Towards a Philosophy of Photography, and The Freedom of the Migrant have also been translated into English.
Mixed Blessings
Examines the work of contemporary Latino, Native America, African-American, and Asian-American artists, discussing how their art demonstrates the ways in which the various cultures see themselves and others.
Out of Hand
Out of Hand: Materializing the Postdigital will explore the many areas of 21st-century creativity made possible by advanced methods of computer-assisted production known as digital fabrication. In today’s postdigital world, artists are using these means to achieve levels of expression never before possible – an explosive, unprecedented scope of artistic expression that extends from sculptural fantasy to functional beauty.
