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The Quilt and Other Stories
Noveller.
Amorous Shepherd
None
Bad Machine
Winner of the T.S. Eliot Prize The body is the `bad machine' of George Szirtes' latest book of poems. The sudden death of his elderly father and of his younger friend, the poet Michael Murphy, remind him how machines - sources of energy and delight in their prime - go so easily wrong; and that change in the body is a signal for moving on. But language too is a body. Here, politics, assimilation, desire, creatureliness and the pleasure and loss of the body, mingle in various attenuated forms such as lexicon, canzone, acrostics, mirror poems, postcards, and a series of `minimenta' after Anselm Kiefer whose love of history as rubble and monument haunts this collection. George Szirtes is one of ...
Piero Della Francesca
A major work by the most important Italian art historian of this century
Almost Complete Poems
Almost Complete Poems is magnificent. I've read it with greater and greater pleasure. Its verbal generosity and bravura, its humanity, the quality and quantity of information which it integrates into poetry of the highest order make it a continuing delight.' Marilyn Hacker 'Open Almost Complete Poems anywhere, and you will come shockingly upon wisdom and beauty . . . Of the generation that is gradually leaving us, those born in the mid and late 1920s – Bly, Levine, Kinnell, Rich, Kumin, O'Hara, Cooper, Ferry, Ashbery, Merwin, Gilbert, Wright, myself – he has a prominent place.' Gerald Stern 'Again and again, coming upon a poem of Stanley Moss's, I have had the feeling of being taken by surprise. Not simply by the eloquence or the direct authenticity of the language, [but also] the nature of his poetry itself, and from the mystery that his poems confront and embody, which makes them both intense and memorable . . . ' W.S. Merwin 'Moss rewrites the received idea of religion and the religious poet: his psalms may be exactly the new songs needed to illuminate sombre new times.' Carol Rumens, Guardian
Threadsuns
"One of Paul Celan's most important books of poems, Threadsuns follows the Green Integer press publication of Breathturn, which received international critical acclaim. Consisting of 105 poems, arranged in five cycles, Threadsuns was composed between September 1965 and June 1967. If Breathturn was the opening gambit of Celan's "turn," the entry into the late work, then Threadsuns - the volume that may have received the least amount of commentary and analysis to date - may be said to be not only an extension or continuation of the previous volume, but the full-blown realization of Celan's late work."--BOOK JACKET.
A History of Color
Few poets today, even very good ones, write lines, as Stanley Moss does, that are so exquisitely crafted you cannot help but remember them. "What is heaven but the history of color," begins the new long poem after which this book is named. "We know at ninety sometimes it aches to sing," begins another poem, for a woman upon her ninetieth birthday. In the hands of this master, "Ah who art in heaven," transmigrates to the quieting "ah, ah, baby." And here is Moss in an early poem: "I’ve always had a preference / for politics you could sing / on the stage of the Scala," ending that poem with words attributed to Lincoln: "I don’t know what the soul is, / but whatever it is, I know it can humble itself." A History of Color: New and Collected Poems by Stanley Moss is the first one-volume, complete edition of the poetry of this important living American poet. A History of Color proposes poetry that is made to be useful. Moss is our leading psalmist. Metaphors for wonder abound, his language one of sorrow and exaltation.
Lighter Than Air
As well as being Germany's most important poet, Hans Magnus Enzensberger is a provocative cultural essayist and one of Europe's leading political thinkers. No British poet can match him in his range of interests and his moral passion. Lighter than Air, his latest collection of moral poems, weighs lightness against seriousness. These are witty, lightly ironic poems on all kinds of subjects, easy in style, engaging in tone, often conversational. Enzensberger is a cultured, learned, widely knowledgeable man, but his poems wear their knowledge, learning and culture very lightly. Perfectly at ease in a variety of poetic forms, he presents us again and again with things that matter. This is intell...
The Tales of Arturo Vivante
Arturo Vivante has a special place in American literature. Although Italian by birth, with a degree in medicine, he came to the United States in the fifties and wrote in English. Vivante offers us a feast of stories, many published in The New Yorker. We are given a taste of Italy and of himself that nourishes our humanity and spirit as few contemporary writers can. Wonder and love seem his most dominating emotions. His work takes us into the heart of Tuscany.
Roots in the Air
Anglophone Israeli Literature comprises a loose community of more than 500 authors and it has co-existed with the Hebrew writing tradition in Israel since the 1970s. Consisting mainly of immigrants from Anglophone countries, Anglophone Israeli Literature is characterized by a search for personal and poetic identity in a highly transcultural environment, challenging settled identities and opting instead for flexibility, flux and inclusion. The present volume considers Anglophone Israeli Literature a a phenomenon in its critical, social and historical aspects on the one hand and explores the specific mechanisms of constructing and representing poetic identity on the other hand. The book analyzes three pivotal elements of identity: language, geography and place, and political and emotional self-positioning towards the Other.
