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Las regiones indígenas a prueba de la etnografía
Los ensayos que conforman este volumen son producto de un ejercicio de reflexión colectiva, ¿a qué obedecen las palabras “regiones”, “indígenas” y “etnografía” en el título de uno de los proyectos de mayor envergadura en el quehacer etnográfico mexicano de los últimos veinte años: el Programa Nacional Etnografía de las Regiones Indígenas de México? Escudriñar en el título, implica reabrir los debates iniciales en los que se cimentó un programa que buscaba resarcir las limitaciones de la etnografía producida en México.
What Color Is the Sacred?
Over the past thirty years, visionary anthropologist Michael Taussig has crafted a highly distinctive body of work. Playful, enthralling, and whip-smart, his writing makes ingenious connections between ideas, thinkers, and things. An extended meditation on the mysteries of color and the fascination they provoke, What Color Is the Sacred? is the next step on Taussig’s remarkable intellectual path. Following his interest in magic and surrealism, his earlier work on mimesis, and his recent discussion of heat, gold, and cocaine in My Cocaine Museum,this book uses color to explore further dimensions of what Taussig calls “the bodily unconscious” in an age of global warming. Drawing on class...
I Swear I Saw This
I Swear I Saw This records visionary anthropologist Michael Taussig’s reflections on the fieldwork notebooks he kept through forty years of travels in Colombia. Taking as a starting point a drawing he made in Medellin in 2006—as well as its caption, “I swear I saw this”—Taussig considers the fieldwork notebook as a type of modernist literature and the place where writers and other creators first work out the imaginative logic of discovery. Notebooks mix the raw material of observation with reverie, juxtaposed, in Taussig’s case, with drawings, watercolors, and newspaper cuttings, which blend the inner and outer worlds in a fashion reminiscent of Brion Gysin and William Burroughs...
The Magic of the State
Set in the enchanted mountain of a spirit-queen presiding over an unnamed, postcolonial country, this ethnographic work of ficto-criticism recreates in written form the shrines by which the dead--notably the fetishized forms of Europe's Others, Indians and Blacks--generate the magical powers of the modern state.
Musical Courier
Vols. for 1957-61 include an additional (mid-January) no. called Directory issue, 1st-5th ed. The 6th ed. was published as the Dec. 1961 issue.
The Musical Blue Book of America, 1915- Recording in Concise Form the Activities of Leading Musicians and Those Actively and Prominently Identified With Music in Its Various Department
This comprehensive musical directory from 1915 provides a snapshot of American musicians of the day, including biographical information, discographies, and advertisements for musical instruments and services. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Discourse and Truth and Parresia
“An invaluable book” of late-career lectures that reveal Foucault’s perspective on truth, truth-telling, and the nature of discourse (Choice). This volume collects a series of lectures given by the renowned French thinker Michel Foucault. The first part presents a talk, Parresia, delivered at the University of Grenoble in 1982. The second presents a series of lectures entitled “Discourse and Truth,” given at the University of California, Berkeley in 1983, which appears here for the first time in its full and correct form. Together, these lectures provide an unprecedented account of Foucault’s reading of the Greek concept of parresia, often translated as “truth-telling” or “...
A Thing of This World
Combining conceptual rigour and clarity of prose with historical erudition, this book shows how one of the standard issues of analytic philosophy, realism and anti-realism, has also been at the heart of continental philosophy.
