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This book is a candid narrative of a tireless warrior and her valor to protect children against the policies of a worldwide religion, one that most people have seen as harmless until now.
Genocide occurs when a government attempts to exterminate systematically a large percentage of its own citizens or subjects, simply because they fall into a particular group defined by religion, ethnicity, political affiliation, or (rarely) other group identification ranging from occupation to gender status. Genocide has been a major cause of death worldwide over the last 100 years or more, and is far from being eliminated. Through examining available cases, Warning Signs of Genocide: An Anthropological Perspective shows that genocide becomes a live danger when group hatreds—especially religious, ethnic, and political—are exploited by political regimes as major ways of seizing and mainta...
The second edition of COSTUME DESIGN provides a basic introduction to costume design and takes students through the entire process of costume making, beginning with the idea for a costume to the final fit. The text is thoroughly illustrated, providing guidelines for the student for creating the figure and the costume design, examples of many styles of costume presentation, a guide to historical costume shapes, and scale drawings of the basic historical patterns with photos of them made up in muslin. Many theatre departments require all theatre majors take a course in costume design.
New Zealand twenty years ago, when margarine was sold on prescription in pharmacies and protective tariffs ruled- The Minister of Cultural Links and Trade, an ex-dairy farmer called Hamish Carew, sets off on a 'Swing Around' of New Zealand's Asian friends and neighbours. With him are his wife Molly and two young officials, Freddy Manders and Violet Redpath. It should be a routine affair. But Molly doesn't like shopping, Freddy is consumed by bitterness at the wife who left him and the superiors who have sidelined his career, Violet finds herself unexpectedly ready for romance- and lurking on the horizon is the shadowy terrorist group Lightning Storm.
Barbara V. Anderson's new book, Letters from the Way takes readers on her solo walk that covered 600 miles on the GR 653, from Arles, France to Puente la Reina, Spain. This was not Barbara's first long distance walk and like she did before, she wrote weekly letters to her family. As these letters were shared, she found herself writing to more than fifty friends who then shared the letters with their friends. Photographs by Barbara and others she met along the trail provide a visual accompaniment to her quirky observations. The letters are her musings about fellow pilgrims, vultures and butterflies, the endless rain, lessons to learn, and spiritual questions to answer. Her often humorous and always honest reflections make a good and relatable resource for anyone wondering what it would be like to set out on their own very long journey. When asked his impression of the letters, San Francisco's renowned artistic director David Ford commented, “Barbara Anderson makes it easy to contemplate the hardest thing.”
Twelve months in a tiny island village facing the wild North Sea. . . . Anderson takes readers thereto the experience of first fieldwork. Written with wit and insight, fifteen chapters (each exploring a key anthropological concept) chronicle daily life in a Danish maritime community. From the arrival of the Anderson family to their eventful departure, students follow the professional and personal challenges of a culture change study. Forces of urbanization are turning the life (but not the soul) of thatched-roof Taarnby from the sea to the nearby city of Copenhagen. From cooking and culture shock to data gathering and childbirth, First Fieldwork animates the lighter side of fieldwork, its follies and foibles, triumphs and disasters. Anyone who has done fieldwork will identify with the humor and the pathos; anyone planning it will profit from the demystification that Anderson brings to this anthropological rite of passage. It is wonderfully human, thoroughly professional.
In recent history, the arts and sciences have often been considered opposing fields of study, but a growing trend in drawing research is beginning to bridge this divide. Gemma Anderson’s Drawing as a Way of Knowing in Art and Science introduces tested ways in which drawing as a research practice can enhance morphological insight, specifically within the natural sciences, mathematics and art. Inspired and informed by collaboration with contemporary scientists and Goethe’s studies of morphology, as well as the work of artist Paul Klee, this book presents drawing as a means of developing and disseminating knowledge, and of understanding and engaging with the diversity of natural and theoretical forms, such as animal, vegetable, mineral and four dimensional shapes. Anderson shows that drawing can offer a means of scientific discovery and can be integral to the creation of new knowledge in science as well as in the arts.
Offers poetry dealing with families, the past, language, identity, love, death, aging, children, and hope.