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Niumi, a small, little-known territory located on the bank of the Gambia River in West Africa, is seemingly far from the reaches of world historical events. And yet the outside world has long had a significant - and increasingly profound - impact on Niumi. This fascinating work shows how global events have affected people's lives over the past eight centuries in this small region in Africa's smallest country. Drawing on written and oral testimony, and writing in a clear and personal style, Donald R. Wright connects 'globalization' with real people in a real place. This new edition updates discussions of global history and African history based on current studies and new developments that hav...
This book introduces beginning students and non-specialists to the diversity and richness of African languages. In addition to providing a solid background to the study of African languages, the book presents linguistic phenomena not found in European languages. A goal of this book is to stimulate interest in African languages and address the question: What makes African languages so fascinating? The orientation adopted throughout the book is a descriptive one, which seeks to characterize African languages in a relatively succinct and neutral manner, and to make the facts accessible to a wide variety of readers. The author’s lengthy acquaintance with the continent and field experiences in ...
The Peoples of the Middle Niger This book provides the first comprehensive history of the peoples of the Middle Niger written by an English-speaking scholar. ‘The Island of Gold’ was the medieval Muslim and later European name for a fabled source of gold and other tropical riches. Although the floodplain of the Niger river lies far from the goldfields, the mosaic of peoples along the Middle Niger created a wealth of grain, fish, and livestock that supported some of Africa’s oldest cities, including Timbuktu. These ancient cities of the region that came to be known as Western Sudan were founded without outside stimulation and their inhabitants long resisted the coercive, centralized sta...
In this extended meditation, Jean Lave interweaves analysis of the process of apprenticeship among the Vai and Gola tailors of Liberia with reflections on the evolution of her research on those tailors in the late 1970s. In so doing, she provides both a detailed account of her apprenticeship in the art of sustained fieldwork and an insightful overview of thirty years of changes in the empirical and theoretical facets of ethnographic practice. Examining the issues she confronted in her own work, Lave shows how the critical questions raised by ethnographic research erode conventional assumptions, altering the direction of the work that follows. As ethnography takes on increasing significance to an ever widening field of thinkers on topics from education to ecology, this erudite but accessible book will be essential to anyone tackling the question of what it means to undertake critical and conceptually challenging fieldwork. Apprenticeship in Critical Ethnographic Practice explains how to seriously explore what it means to be human in a complex world—and why it is so important.
Among the Mande-speaking groups dispersed throughout much of West Africa, certain artists - including potters and leatherworkers - form a spiritually powerful social class in which gender determines craft specialization. Ceramic water jars and cooking pots are made only by the wives and female relatives of blacksmiths. Leather objects such as knife sheaths, amulet cases, and, more recently, western-style shoes and bags are produced by male leatherworkers. Analyzing the work of Mande potters and leatherworkers, Barbara E. Frank argues that studying craft technologies in addition to object styles is essential for reconstructing the art heritage of an ethnically complex region. Examining the roles of Mande leatherworkers and potters in the rise and fall of empires, the development of trans-Saharan trade networks, and the spread of Islam, Frank questions the "one-tribe, one-style" interpretations that have dominated studies of West African art. Focusing on two traditions that have been little studied, Mande Potters and Leatherworkers explores the complex, shifting relationships among the identities of Mande craftspeople, the objects they create, and the technologies they use.
"... the contributors to Status and Identity in West Africa have swept away the dust that has obscured the study of the societies of western Sudan and have made it possible to pursue the salutory work of decolonizing the history and sociology of these regions."Â -- American Ethnologist "This discussion is among the most significant contributions that African studies can make to the contemporary global dialogue on multicultural issues." -- Choice "It is 'must' reading for anyone who works in African literature today." -- Research in African Literatures "…an indispensable guide to understanding the producers of art in the Mande world, including the art of the spoken word. The writing and ar...
Exploring the origins, organization, subject matter, and performance contexts of singers and singing, Women's Songs from West Africa expands our understanding of the world of women in West Africa and their complex and subtle roles as verbal artists. Covering Côte d'Ivoire, the Gambia, Mali, Niger, Nigeria, Senegal, and beyond, the essays attest to the importance of women's contributions to the most widespread form of verbal art in Africa.
A narrative of life among the griot musicians of Mali. Born into families where music and the tradition of griot story-telling are heritages and privileges, the musicians live their lives at the intersection of ancient traditions and the modern entertainment industry.
These essays examine Sunjata from a variety of perspectives.
Founded in the early thirteenth century, the Mali Empire stretched from the Atlantic coast of West Africa across the savannah lands to Timbuktu and Gao. Comprised of multiple ethnics groups—the Soninke, the Mandenka, Fula, Sosso, Tuareg, Sonrai, Almoravids—Mali was politically dominated by the Mandenka people who developed a comprehensive, eloquent, and ennobling historical tradition that has garnered international recognition and praise. Combining music, poetry, drama, storytelling, genealogy, history, and philosophy, the Malinke griot or jeli interprets Mali’s history both aesthetically and discursively with the utilitarian objective of maintaining peaceful and ethical social relatio...